[{"id":54222,"date":"2026-02-25T16:37:51","date_gmt":"2026-02-25T05:37:51","guid":{"rendered":"https:\/\/acca.melbourne\/?post_type=press_release&#038;p=54222"},"modified":"2026-02-25T16:37:51","modified_gmt":"2026-02-25T05:37:51","slug":"laura-de-neefe-appointed-executive-director-acca","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/laura-de-neefe-appointed-executive-director-acca\/","title":{"rendered":"Laura De Neefe appointed Executive Director, ACCA"},"content":{"rendered":"\n<p><strong>Wednesday 25 February, 2026: Dr Terry Wu, Chair, Australian Centre for Contemporary Art (ACCA) announced today Laura De Neefe appointed as ACCA Executive Director.<\/strong><\/p>\n\n\n\n<p>Laura De Neefe is an arts leader who has spent over a decade contributing to the visual arts and cultural community of Naarm\/Melbourne. Her leadership is grounded in a deep commitment to artists, team development and workplace culture, access to contemporary art, and equitable cultural institutions.<\/p>\n\n\n\n<p>Laura joined ACCA\u2019s Executive Team in 2022, working closely with the team and Board on ACCA&#8217;s strategic vision, finance and governance, and workplace initiatives.<\/p>\n\n\n\n<p>Laura brings strong organisational knowledge to the position of Executive Director having commenced at ACCA in 2017. During her time at ACCA, she has worked to strengthen philanthropic support for exhibitions, education and programs, build strategic partnerships, secure significant grants and government funding, enhance ACCA\u2019s inclusion and equity, nurture a supportive workplace and promote ACCA&#8217;s activities to diverse audiences.<\/p>\n\n\n\n<p>Terry said, \u2018Laura brings high-level art leadership and strategic experience to the role of Executive Director. She has extensive and detailed knowledge of ACCA and has been with the organisation since 2017, previously in the role of Director, Development &amp; Engagement. Laura has also led the team as Acting Executive Director in 2022. We are delighted to welcome back Laura as the Executive Director, and look forward to working with Laura and CEO and Artistic Director Myles Russell-Cook to champion ACCA\u2019s role as the nation\u2019s premier contemporary art commissioning organisation.\u2019&nbsp;<\/p>\n\n\n\n<p>\u2018ACCA is an organisation very close to my heart,\u2019 Laura said, \u2018I am excited to take on this new position and work closely with Myles and with our outstanding team and Board to further ACCA\u2019s leadership in the contemporary arts ecology, with artists at the centre of our vision.\u2019<\/p>\n\n\n\n<p>Laura commenced in the role of Executive Director in January 2026 following parental leave in 2025.<\/p>\n\n\n\n<p><strong>Laura De Neefe completes ACCA\u2019s executive leadership team&nbsp;<\/strong>joining CEO and Artistic Director&nbsp;<strong>Myles Russell-Cook<\/strong>, along with ACCA Chair&nbsp;<strong>Dr Terry Wu<\/strong>&nbsp;and Board members&nbsp;<strong>Lisa Bowman, Maree Clarke, Elisa Clements, Charlotte Day, Lisa Fox, Patricia Piccinini,<\/strong>&nbsp;<strong>Sarah Lynn Rees, Dr Theresia Spencer<\/strong>,&nbsp;<strong>Gordon Thomson<\/strong>&nbsp;and&nbsp;<strong>John Tuck<\/strong>.<\/p>\n\n\n\n<p><strong>Australian Centre for Contemporary Art&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>111 Sturt Street, Southbank VIC 3006&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>Melbourne, Australia<\/strong><\/p>\n\n\n\n<p><strong>Opening hours: Tuesday \u2013 Friday 10am\u20135pm, Weekends 11am\u20135pm<\/strong><\/p>\n\n\n\n<p><strong>Free entry<\/strong><\/p>\n\n\n\n<p><a href=\"http:\/\/www.acca.melbourne\/\"><strong>acca.melbourne<\/strong><\/a><\/p>\n\n\n\n<p>#ACCAMelbourne<\/p>\n\n\n\n<p>For further media information:<\/p>\n\n\n\n<p>Bridget Thompson<\/p>\n\n\n\n<p>Marketing &amp; Digital Engagement Manager<\/p>\n\n\n\n<p><a href=\"mailto:pr.marketing@acca.melbourne\">pr.marketing@acca.melbourne<\/a><\/p>\n\n\n\n<p><strong>ACCA acknowledges the Wurundjeri Woiwurrung people as sovereign custodians of the land on which we work and welcome visitors, along with the neighbouring Boonwurrung, Bunurong, and wider Kulin Nation. We acknowledge their longstanding and continuing care for Country and we recognise First Peoples art and cultural practice has been thriving here for millennia. We extend our respect to ancestors and Elders past and present, and to all First Nations people<\/strong><strong><br><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wednesday 25 February, 2026: Dr Terry Wu, Chair, Australian Centre for Contemporary Art (ACCA) announced today Laura De Neefe appointed as ACCA Executive Director. Laura De Neefe is an arts leader who has spent over a decade contributing to the visual arts and cultural community of Naarm\/Melbourne. Her leadership is grounded in a deep commitment [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-54222","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/54222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=54222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":54000,"date":"2026-01-29T16:30:48","date_gmt":"2026-01-29T05:30:48","guid":{"rendered":"https:\/\/acca.melbourne\/?post_type=press_release&#038;p=54000"},"modified":"2026-01-29T16:30:49","modified_gmt":"2026-01-29T05:30:49","slug":"maree-clarke-lisa-bowman-and-elisa-clements-join-the-acca-board","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/maree-clarke-lisa-bowman-and-elisa-clements-join-the-acca-board\/","title":{"rendered":"Maree Clarke, Lisa Bowman and Elisa Clements join the ACCA Board"},"content":{"rendered":"\n<p><strong>Thursday 29 January:&nbsp;<\/strong>Dr Terry Wu, Chair of the Australian Centre for Contemporary Art, today announced the appointment of artist&nbsp;<strong>Maree Clarke<\/strong>, communications and governance specialist&nbsp;<strong>Lisa Bowman<\/strong>, and organisational development leader&nbsp;<strong>Elisa Clements<\/strong>&nbsp;to the ACCA Board.<strong><\/strong><\/p>\n\n\n\n<p>Maree Clarke is an internationally celebrated Yorta Yorta Wamba Wamba Mutti Mutti Boonwurrung artist dedicated to the revival and continuation of south-east Australian Aboriginal cultural practices.<\/p>\n\n\n\n<p>Growing up in Mildura and now based in Naarm Melbourne, Clarke is widely recognised for her leadership in nurturing and promoting the diversity of contemporary south-east Aboriginal art. Known for her open and collaborative approach, she works across generations to revive dormant cultural knowledge and engages new audiences through innovative uses of technology.<\/p>\n\n\n\n<p>Clarke has exhibited nationally and internationally, including the major survey exhibition Ancestral Memories at the National Gallery of Victoria in 2021. Recent commissions include projects for the Metro Tunnel, narrm ngarrgu Library, Footscray Hospital, and the City of Melbourne Stolen Generations Marker. She has undertaken artist residencies in Florence in 2024, and at the Museum of Glass in Tacoma and Pilchuck Glass School in the United States in 2023. Her accolades include the Melbourne Prize for Urban Sculpture in 2023 and the Australia Council Aboriginal and Torres Strait Islander Arts Fellowship in 2020.<\/p>\n\n\n\n<p>Lisa Bowman is a communications and community engagement specialist with extensive experience working across large scale government and private sector infrastructure development and digital transformation projects.<\/p>\n\n\n\n<p>Across her career, Bowman has led corporate affairs, issues management, communications, stakeholder engagement and media teams within complex operating environments. She is recognised for her ability to manage sensitive stakeholder and community issues and to develop reputation management strategies for both public and private sector organisations. Trained as a journalist, Bowman began her career in print and radio before moving into public relations and change management. She is a graduate of the Australian Institute of Company Directors and has served on a number of boards across public health, transport and ex offender rehabilitation sectors.<\/p>\n\n\n\n<p>Elisa Clements, Group Executive Talent and Culture at ANZ, brings more than 25 years\u2019 experience in organisational development across global organisations in banking, automotive, FMCG, pharmaceutical, and professional services sectors.<\/p>\n\n\n\n<p>Prior to her current role, Clements was General Manager Talent and Culture for ANZ\u2019s Institutional Division, where she played a key role in a multi-year transformation across 21 geographies. She has held senior talent and culture roles across Corporate and Commercial Banking and Group Technology Services and Operations and was previously Human Resources Manager for Toyota. Her experience includes workforce strategy, leadership development, and cultural transformation within large scale institutions.<\/p>\n\n\n\n<p>Dr Wu said Maree Clarke would bring significant cultural leadership to the ACCA Board, while Lisa Bowman and Elisa Clements would contribute deep organisational and communications expertise.&nbsp;<\/p>\n\n\n\n<p>\u201cMaree is an internationally celebrated and highly respected Indigenous artist and cultural leader. Alongside our Artistic Director and CEO Myles Russell-Cook and ACCA Board Member Sarah Lynn Rees, and with the support of ACCA staff, Maree will play an important role in championing ACCA\u2019s Indigenous cultural strategy and ongoing engagement with First Nations communities.\u201d<\/p>\n\n\n\n<p>\u201cLisa brings highly developed governance, communications and stakeholder expertise. Her experience navigating complex public and private sector environments will strengthen the Board\u2019s oversight of reputation, community engagement and organisational accountability.\u201d<\/p>\n\n\n\n<p>\u201cElisa brings exceptional organisational development experience. Her leadership in talent and culture will support ACCA\u2019s artists and staff to realise their professional potential, particularly as the organisation continues to evolve.\u201d<\/p>\n\n\n\n<p>\u201cTogether, Maree, Lisa and Elisa bring tremendous leadership and skill to the Board at a dynamic time for ACCA. With a vibrant program ahead under our Artistic Director and CEO, their contributions will be instrumental as we continue to champion artistic risk taking and cultural leadership,\u201d Dr Wu said.<\/p>\n\n\n\n<p><strong>Maree Clarke, Lisa Bowman<\/strong>&nbsp;and&nbsp;<strong>Elisa Clements&nbsp;<\/strong>join existing ACCA Board members&nbsp;<strong>Charlotte Day, Lisa Fox, Sarah Lynn Rees, Patricia Piccinini,<\/strong>&nbsp;<strong>Dr Theresia Spencer<\/strong>,&nbsp;<strong>John Tuck<\/strong>&nbsp;and&nbsp;<strong>Gordon Thomson<\/strong>.&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Australian Centre for Contemporary Art&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>111 Sturt Street, Southbank VIC 3006&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>Melbourne, Australia<\/strong><\/p>\n\n\n\n<p><strong>Opening hours: Tuesday \u2013 Friday 10am\u20135pm, Weekends 11am\u20135pm<\/strong><\/p>\n\n\n\n<p><strong>Free entry<\/strong><\/p>\n\n\n\n<p><a href=\"http:\/\/www.acca.melbourne\/\"><strong>acca.melbourne<\/strong><\/a><\/p>\n\n\n\n<p>#accamelbourne #alwaysNewalwaysNowalwaysFree<\/p>\n\n\n\n<p>For further media information:<\/p>\n\n\n\n<p>Bridget Thompson, Marketing &amp; Digital Engagement Manager<\/p>\n\n\n\n<p><a href=\"mailto:pr.marketing@acca.melbourne\">pr.marketing@acca.melbourne<\/a><\/p>\n\n\n\n<p><strong>ACCA acknowledges the Wurundjeri Woiwurrung people as sovereign custodians of the land on which we work and welcome visitors, along with the neighbouring Boonwurrung, Bunurong, and wider Kulin Nation. We acknowledge their longstanding and continuing care for Country and we recognise First Peoples art and cultural practice has been thriving here for millennia. We extend our respect to ancestors and Elders past and present, and to all First Nations people.<\/strong><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thursday 29 January:&nbsp;Dr Terry Wu, Chair of the Australian Centre for Contemporary Art, today announced the appointment of artist&nbsp;Maree Clarke, communications and governance specialist&nbsp;Lisa Bowman, and organisational development leader&nbsp;Elisa Clements&nbsp;to the ACCA Board. Maree Clarke is an internationally celebrated Yorta Yorta Wamba Wamba Mutti Mutti Boonwurrung artist dedicated to the revival and continuation of south-east [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-54000","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/54000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=54000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":52946,"date":"2025-08-27T16:48:52","date_gmt":"2025-08-27T06:48:52","guid":{"rendered":"https:\/\/acca.melbourne\/?post_type=press_release&#038;p=52946"},"modified":"2025-08-27T16:48:53","modified_gmt":"2025-08-27T06:48:53","slug":"patricia-piccinini-and-dr-theresia-spencer-join-the-acca-board","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/patricia-piccinini-and-dr-theresia-spencer-join-the-acca-board\/","title":{"rendered":"Patricia Piccinini and Dr Theresia Spencer\u00a0join the ACCA Board"},"content":{"rendered":"\n<p><strong>Wednesday 27<sup>th<\/sup>&nbsp;August, 2025: Dr Terry Wu, Chair of The Australian Centre for Contemporary Art (ACCA) announced today that internationally renowned Australian artist Patricia Piccinini and arts advocate Dr Theresia Spencer have joined the ACCA Board.<\/strong><\/p>\n\n\n\n<p>Patricia Piccinini is one of Australia\u2019s best-known and globally celebrated artists. Currently Professor of Practice at RMIT University, Patricia represented Australia at the 2003 Venice Biennale, and her work is held in all leading Australian and many international collecting institutions. Most recently, Patricia\u2019s hyper-realist sculptures of surreal hybrid animals and vehicular creatures enthralled visitors to the abandoned ballroom above Melbourne\u2019s Flinders Street Station with the exhibition&nbsp;<em>A Miracle Constantly Repeated.<\/em><\/p>\n\n\n\n<p>Patricia has a long history of association with ACCA. Her first major survey exhibition,&nbsp;<em>Retrospectology: The World According to Patricia Piccinini<\/em>, was the second exhibition to be shown in ACCA\u2019s Southbank premises in 2002, and in 2013, her much-loved hot-air balloon Skywhale, commissioned for the Centenary of Canberra, was tethered to the ACCA Forecort. \u2018ACCA is an incredibly important space in Melbourne\u2019s contemporary art scene, and I feel honoured to be able to contribute in any way I can,\u2019 Patricia said.<\/p>\n\n\n\n<p><br>Dr Theresia Spencer is a Melbourne-based arts philanthropist, deeply committed to supporting cultural institutions and artistic practice, and an Australian Ambassador for the Venice Biennale. She holds a Doctor of Clinical Dentistry degree (Orthodontics) and is a Fellow of the Royal College of Surgeons of Edinburgh and the Royal Australasian College of Dental Surgeons. Theresia is a spokesperson for the Australian Society of Orthodontists and is an international lecturer for Invisalign.<\/p>\n\n\n\n<p>\u2018I am excited to work with Terry and the ACCA Board to help ACCA continue to provide such a vital platform and forum for emerging and established artists, and a space where they have the freedom to take risks, such that audiences have the opportunity to be challenged, surprised and inspired,\u2019 Theresia said.<br><\/p>\n\n\n\n<p>Terry said, \u2018Patricia and Theresia bring diverse expertise to the ACCA Board. Patricia\u2019s experience as an artist who has exhibited at major institutions worldwide is unmatched, and her connections and perspective will enrich our work as an institution focused on supporting artists to do their best and boldest work. She has a long history of involvement with ACCA, as both an artist and an audience member, and we are thrilled to welcome her to the Board.\u2019<\/p>\n\n\n\n<p>\u2018Theresia is a dedicated and passionate arts advocate who supports the arts because she believes in its power to shape communities and to change the way we see the world. I look forward to working closely with Theresia to consolidate support for ACCA and expand ACCA\u2019s delivery across exhibitions and ground-breaking education programs.<\/p>\n\n\n\n<p>\u2018Supporting artists to take risks is at the heart of everything we do, and Theresia and Patricia are invaluable additions to the ACCA Board, joining in a period of renewal and heightened activity, with a vibrant forward program under new Artistic Director and CEO Myles Russell Cook and ambitious plans for ACCA\u2019s future,\u2019 Terry said.<\/p>\n\n\n\n<p><strong>Patricia Piccinini and Theresia Spencer join existing ACCA Board members Charlotte Day, Lisa Fox, Sarah Lynn Rees, Andrew Taylor, John Tuck and Gordon Thomson.&nbsp;<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Australian Centre for Contemporary Art&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>111 Sturt Street, Southbank VIC 3006&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>Melbourne, Australia<\/strong><\/p>\n\n\n\n<p><strong>Opening hours: Tuesday \u2013 Friday 10am\u20135pm, Weekends 11am\u20135pm<\/strong><\/p>\n\n\n\n<p><strong>Free entry<\/strong><\/p>\n\n\n\n<p><a href=\"http:\/\/www.acca.melbourne\/\"><strong>acca.melbourne<\/strong><\/a><\/p>\n\n\n\n<p>#accamelbourne #ArtStartsAtACCA #ArtAtTheDeepEnd<\/p>\n\n\n\n<p>For further media information:<\/p>\n\n\n\n<p>Katrina Hall<\/p>\n\n\n\n<p>Publicity\/Communications<\/p>\n\n\n\n<p>0421153046<\/p>\n\n\n\n<p><strong>ACCA acknowledges the Wurundjeri Woiwurrung people as sovereign custodians of the land on which we work and welcome visitors, along with the neighbouring Boonwurrung, Bunurong, and wider Kulin Nation. We acknowledge their longstanding and continuing care for Country and we recognise First Peoples art and cultural practice has been thriving here for millennia. We extend our respect to ancestors and Elders past and present, and to all First Nations people.<\/strong><strong><br><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wednesday 27th&nbsp;August, 2025: Dr Terry Wu, Chair of The Australian Centre for Contemporary Art (ACCA) announced today that internationally renowned Australian artist Patricia Piccinini and arts advocate Dr Theresia Spencer have joined the ACCA Board. Patricia Piccinini is one of Australia\u2019s best-known and globally celebrated artists. Currently Professor of Practice at RMIT University, Patricia represented [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-52946","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/52946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=52946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":52945,"date":"2025-08-27T16:20:49","date_gmt":"2025-08-27T06:20:49","guid":{"rendered":"https:\/\/acca.melbourne\/?post_type=press_release&#038;p=52945"},"modified":"2025-08-27T16:20:50","modified_gmt":"2025-08-27T06:20:50","slug":"tschabalala-self-skin-tight","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/tschabalala-self-skin-tight\/","title":{"rendered":"Tschabalala Self: Skin tight"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p><strong>One of the most-in-demand figurative painters working today, Tschabalala Self\u2019s distinctive style combines fabric, collage and painting with innovative printing techniques and a steadfast focus on beauty as a form of artistic resistance.<\/strong>&nbsp;<\/p>\n\n\n\n<p><strong>ACCA is pleased to present her first Australian solo exhibition from Friday 12 September to Sunday 23 November.<\/strong>&nbsp;<\/p>\n\n\n\n<p>With new and recent large-scale paintings, works on paper and an immersive 3-channel video installation,\u00a0<em>Skin Tight<\/em>\u202fintroduces Australian audiences to a practice celebrated for its beauty and sophistication. Born in 1990 in Harlem, New York,\u00a0Tschabalala Selfworks out of her studio in the picturesque Hudson Valley.<s>\u00a0<\/s>Her work is inspired by her ancestral and familial ties to New Orleans and is infused with a vibrancy drawn from the Harlem Renaissance, as well as jazz, dance, and performance. Self channels these energies into profound reflections on Black embodiment and experience. \u202f\u00a0<\/p>\n\n\n\n<p>For her exhibition at ACCA, Self has designed a series of contemplative, psychologically charged immersive spaces, filled with striking 2D and 3D works. The exuberant characters that populate\u202f<em>Skin Tight<\/em>\u202fpush audiences to consider how we construct our identities \u2013 and how we both perceive and are perceived by the world around us. Self\u2019s figures are not representative of any singular individual, rather, they are collages of various people and references from throughout her life.&nbsp;<\/p>\n\n\n\n<p>Through cut-outs, sightlines and wall drawings, Self has created an immersive exhibition experience \u2013 one where audiences are encouraged to feel part of the installation. Inside her fantastic worlds, we become active participants in the work, reflecting on themes of exhibitionism, voyeurism, myth making, and identity. By harnessing a multitude of references and media, Self explores the psychological, emotional, spiritual and sexual dimensions of being alive, and continually challenges our perceptions of identity.<em>\u202fSkin Tight<\/em>\u202fspeaks to both the limitations and\u202ffreedom of embodiment.&nbsp;<\/p>\n\n\n\n<p><strong>ACCA Artistic Director and CEO Myles Russell-Cook<\/strong>&nbsp;said the exhibition showcases Self\u2019s unique approach to portraiture and figuration in a fresh cultural context. \u201cTschabalala\u2019s work is an act of self-revelation\u2014one that challenges narrow definitions imposed on bodies, expanding them to encompass the fullness of the human spirit. Her figures occupy a space between representation and transcendence, constantly evolving and never static. Through this, her work offers a transformative vision of our shared humanity, pushing beyond the constraints of persecution to reveal the depths of human potential.\u201d&nbsp;<\/p>\n\n\n\n<p>&nbsp;<br>Tschabalala Self (b. 1990, Harlem, USA) lives and works in Hudson Valley, New York.\u202f&nbsp;<\/p>\n\n\n\n<p>Tschabalala Self has shown at major institutions, globally, including Longlati Foundation, Shanghai; Espoo Museum of Modern Art, Espoo; High Line, New York; Brooklyn Museum, New York; FLAG Foundation, New York; Barbican, London; CC Strombeek, Grimbergen, Belgium; Desert X, Coachella Valley; Kunstmuseum St Gallen; Le Consortium, Dijon; Performa 2021 Biennial, New York; Haus der Kunst, Munich; Kunsthalle D\u00fcsseldorf; Baltimore Museum of Art; ICA Boston; Studio Museum Artists in Residence, MoMA PS1, New York; Hammer Museum, Los Angeles; Frye Art Museum, Seattle, among many others.&nbsp;<\/p>\n\n\n\n<p><strong>Tschabalala Self: Skin Tight<\/strong>&nbsp;<\/p>\n\n\n\n<p>Fri 12 Sep 2025\u2013Sun 23 Nov 2025&nbsp;<\/p>\n\n\n\n<p><strong>Curated by:<\/strong>\u202fDr Shelley McSpedden &amp; Myles Russell-Cook&nbsp;<\/p>\n\n\n\n<p>ACCA warmly thanks Visionary Supporters, Drs Theresia and Kevin Spencer, and Principal Partner, Pilar Corrias, for their generous support of this exhibition.<\/p>\n\n\n\n<p><strong>Australian Centre for Contemporary Art\u202f<\/strong>\u202f&nbsp;<\/p>\n\n\n\n<p><strong>111 Sturt Street, Southbank VIC 3006\u202f<\/strong>\u202f&nbsp;<\/p>\n\n\n\n<p><strong>Melbourne, Australia<\/strong>&nbsp;<\/p>\n\n\n\n<p><strong>Opening hours: Tuesday \u2013 Friday 10am\u20135pm, Weekends 11am\u20135pm, Free entry<\/strong>&nbsp;<\/p>\n\n\n\n<p><a href=\"http:\/\/www.acca.melbourne\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>acca.melbourne<\/strong><\/a>&nbsp;<\/p>\n\n\n\n<p><strong><u>#ACCAMelbourne&nbsp;&nbsp;#ACCASkinTight<\/u><\/strong>&nbsp;<\/p>\n\n\n\n<p>For further media information:\u202f&nbsp;<\/p>\n\n\n\n<p>\u202f\u202f&nbsp;<\/p>\n\n\n\n<p>Katrina Hall\u202f&nbsp;<\/p>\n\n\n\n<p>Publicity\/Communications\u202f&nbsp;<\/p>\n\n\n\n<p>0421153046\u202f&nbsp;<\/p>\n\n\n\n<p>\u202f\u202f&nbsp;<\/p>\n\n\n\n<p>ACCA proudly acknowledges the Wurundjeri Woiwurrung peoples as the sovereign custodians of the lands and waterways on which we work and welcome visitors, along with the neighbouring Boonwurrung, and Bunurong peoples, and wider Kulin Nation. We acknowledge the enduring custodianship of Country that has shaped what we now recognise as Australia. We also honour the artistic work of First Peoples, including their art, design, and material culture, which we celebrate as the only art that is entirely unique to this continent.&nbsp;&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>One of the most-in-demand figurative painters working today, Tschabalala Self\u2019s distinctive style combines fabric, collage and painting with innovative printing techniques and a steadfast focus on beauty as a form of artistic resistance.&nbsp; ACCA is pleased to present her first Australian solo exhibition from Friday 12 September to Sunday 23 November.&nbsp; With new and recent [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-52945","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/52945","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=52945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":52400,"date":"2025-06-25T13:22:42","date_gmt":"2025-06-25T03:22:42","guid":{"rendered":"https:\/\/acca.melbourne\/?post_type=press_release&#038;p=52400"},"modified":"2025-06-25T13:24:03","modified_gmt":"2025-06-25T03:24:03","slug":"five-acts-of-love","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/five-acts-of-love\/","title":{"rendered":"Five Acts of Love"},"content":{"rendered":"\n<p><strong>In this new exhibition curated by Nur Shkembi OAM, both international and local contemporary artists explore various expressions of love, examining what we gain and what we give up when we love and are loved.<\/strong><\/p>\n\n\n\n<p>\u2018Love is broadly seen as an intimate emotional and\/or physical convergence between people\u2019,&nbsp;<strong>Dr Shkembi&nbsp;<\/strong>said. \u2018There is also parental and familial love, the love shared between friends or the ecstasy of finding spiritual or other worldly love, of&nbsp;<em>fa\u2019naa&nbsp;<\/em>(the Sufi concept of the dissolution of the self or ego in the presence of God)and love of the Divine.\u2019&nbsp;<\/p>\n\n\n\n<p>\u2018In this current moment it is difficult not to see love in proximity to the tumult and turmoil of the world. We see love manifesting in great numbers, as solidarity between friends, communities and between complete strangers in various movements across the globe. We also see the love of individuals, and of humanity, or even nature as a form of resistance, ever evolving, anew. Reflecting on the words ofJal\u0101l al-D\u012bn Mu\u1e25ammad R\u016bm\u012b<strong>,&nbsp;<\/strong>to love is to risk everything.\u2019<\/p>\n\n\n\n<p><em>Five Acts of Love<\/em>&nbsp;explores&nbsp;the multifaceted beauty and intensity of love. Works of art centre love manifest in human action, love inherent to transformative change and participation, in moments of connection, memorialisation and reflection that collectively embrace notions of transgenerational grief and a shared humanity.&nbsp;<\/p>\n\n\n\n<p><strong>ACCA&#8217;s Artistic Director and CEO, Myles Russell-Cook<\/strong>&nbsp;said the exhibition serves as a significant reflection of art&#8217;s ability to connect people through their humanity. \u201cThe works featured in this exhibition explore how we respond to and experience love in all its forms. It presents a gentle and poetic collection from some extraordinary artists, each expressing and reflecting on the theme of love as it has been felt in moments, experiences, and events that have deeply impacted them.\u201d<\/p>\n\n\n\n<p><strong>Highlights include:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The late Iranian-born, Australian artist Hossein Valamanesh\u2019s work\u00a0<em>The lover circles his own heart<\/em>\u00a0(1993) is the centrepiece of the exhibition and explores the Sufi spiritual ritual of \u2018self-pivoting\u2019 through the practice of \u2018whirling\u2019, which is an active form of meditation that increases body-mind focus \u2013 a reminder of God and unity with the divine.\u00a0<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Iranian born, Melbourne based artist Hoda Afshar presents her acclaimed series\u00a0<em>In Turn\u00a0<\/em>(2023)<em>,\u00a0<\/em>created in response to the feminist uprising that began in Iran in 2022, following the death ofMahsa Jina Amini who was arrested by Iran\u2019s morality police for not wearing the hijab properly. Ashfar\u2019s monumental photographic works are a tribute and a testament to collective action and grief. Here, Afshar shares with us a vision, a prequel to the resistance through the act of [love] women braiding one another\u2019s hair.\u00a0\u00a0<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Lebanese born, Sydney-based artist Khaled Sabsabi\u2019s 2016 work,\u00a0<em>At the Speed of\u00a0<\/em>Light, an 11-channel sculptural video work featuring eighteen hours of recorded footage, compressed it into a single second-long video, challenging ideas of perception in the pursuit of the Divine.\u00a0<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Iranian born, Sydney based artist Ali Tahayori shares a yearning for intimacy with\u00a0<em>Archive of Longing<\/em>\u00a0(2024), which can be understood as a personal search for glimpses of connection, love and belonging within an inherited family archive. Family photographs are re-photographed, cropped enlarged and printed on glass, broken and reassembled in a contemporary rendering of traditional Persian glass cutting Techniques and geometric patterns called \u0100ine-K\u0101ri aine.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Abdul-Rahman Abdullah will present a significant new sculptural commission, a meticulously hand-carved gazelle or ghaz\u0101l emanating powerful notions of grace, beauty and love. Abdullah\u2019s installation work\u00a0<em>Pretty Beach<\/em>\u00a0(2019) also features in the exhibition, which is a deeply considered and moving meditation on the suicide of the West Australian artist\u2019s grandfather, and provides a solemn and devastatingly beautiful encounter with transgenerational grief through personal and familial memory.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Palestinian\/Danish artist Larissa Sansour and partner, philosopher Soren Lind\u2019s experimental documentary film\u00a0<em>Familiar Phantoms\u00a0<\/em>(2023) interweaves threads of memory, history and trauma to explore the impact of fiction on the creation and reinterpretation of memory.\u00a0<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Yhonnie Scarce\u2019\u00a0<em>N0000, N2359, N2351, N2402\u00a0<\/em>(2013) reveals familial memories and stories held within delicately hand-blown glass objects. Born in Woomera, South Australia and from the Kokatha and Nukunu peoples, Scarce\u2019s laborious work of transforming sand particles into glass, an act of love and resistance, honours the images of family contained within.<\/li>\n<\/ul>\n\n\n\n<p>Dr Nur Skhembi OAM is an award-winning Melbourne based curator, writer and art historian specialising in Islamic art history and contemporary art, and postcolonial theory. Nur has produced and curated over 150 events, exhibitions and community engagement projects.\u00a0 Nur holds a Masters from the Victorian College of the Arts and a PhD in Art History from the University of Melbourne.<\/p>\n\n\n\n<p>\u00a0<\/p>\n\n\n\n<p><strong>Five Acts of Love<\/strong><\/p>\n\n\n\n<p><strong>27 June \u2013 24 August 2025.<\/strong><\/p>\n\n\n\n<p>Guest curated by Dr Nur Skhembi.<\/p>\n\n\n\n<p>Artists:&nbsp;Abdul-Rahman Abdullah, Hoda Afshar, Megan Cope, Eugenia Flynn, D Harding, Saodat Ismailova, Ali Tahayori, Larissa Sansour &amp; Soren Lind, Khaled Sabsabi, Yhonnie Scarce, Hossein Valamanesh.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>IMAGES AVAILABLE HERE:&nbsp;<\/p>\n\n\n\n<p><a href=\"https:\/\/www.dropbox.com\/scl\/fo\/bhtnlsq4m1wjfxa8naozx\/AMGv4OP1NwAE86sRHZws4uo?rlkey=e82s1dfmeuuz827nbqttn7svd&amp;st=t5604ils&amp;dl=0\">https:\/\/www.dropbox.com\/scl\/fo\/bhtnlsq4m1wjfxa8naozx\/AMGv4OP1NwAE86sRHZws4uo?rlkey=e82s1dfmeuuz827nbqttn7svd&amp;st=t5604ils&amp;dl=0<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Australian Centre for Contemporary Art&nbsp;<\/strong>&nbsp;<\/p>\n\n\n\n<p><strong>111 Sturt Street, Southbank VIC 3006&nbsp;<\/strong>&nbsp;<\/p>\n\n\n\n<p><strong>Melbourne, Australia<\/strong><\/p>\n\n\n\n<p><strong>Opening hours: Tuesday \u2013 Friday 10am\u20135pm, Weekends 11am\u20135pm, Free entry<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/aus01.safelinks.protection.outlook.com\/?url=http%3A%2F%2Fwww.acca.melbourne%2F&amp;data=05%7C02%7Cxuanwei.yap%40acca.melbourne%7Ca8b4356777d942cf64c808ddb2eb7056%7C44e538a4428b4c399613760039eee477%7C0%7C0%7C638863446499397140%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=GNBKmqeYHdVH9zO5b7MtEtKAD%2FqCvh%2BHwyXrVmyN24s%3D&amp;reserved=0\"><strong>acca.melbourne<\/strong><\/a><\/p>\n\n\n\n<p>#accamelbourne #ArtStartsAtACCA #ArtAtTheDeepEnd&nbsp;<\/p>\n\n\n\n<p>For further media information:&nbsp;<\/p>\n\n\n\n<p>Katrina&nbsp;Hall&nbsp;<\/p>\n\n\n\n<p>Publicity\/Communications&nbsp;<\/p>\n\n\n\n<p>0421153046&nbsp;<\/p>\n\n\n\n<p><strong>ACCA proudly acknowledges the Wurundjeri Woiwurrung peoples as the sovereign custodians of the lands and waterways on which we work and welcome visitors, along with the neighbouring Boonwurrung, and Bunurong peoples, and wider Kulin Nation. We acknowledge the enduring custodianship of Country that has shaped what we now recognise as Australia. We also honour the artistic work of First Peoples, including their art, design, and material culture, which we celebrate as the only art that is entirely unique to this continent.\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In this new exhibition curated by Nur Shkembi OAM, both international and local contemporary artists explore various expressions of love, examining what we gain and what we give up when we love and are loved. \u2018Love is broadly seen as an intimate emotional and\/or physical convergence between people\u2019,&nbsp;Dr Shkembi&nbsp;said. \u2018There is also parental and familial [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-52400","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/52400","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=52400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":41909,"date":"2025-01-15T15:42:05","date_gmt":"2025-01-15T04:42:05","guid":{"rendered":"https:\/\/acca.melbourne\/?post_type=press_release&#038;p=41909"},"modified":"2025-01-15T15:42:05","modified_gmt":"2025-01-15T04:42:05","slug":"tina-stefanou-you-cant-see-speed","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/tina-stefanou-you-cant-see-speed\/","title":{"rendered":"Tina Stefanou: You Can&#8217;t See Speed"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\"><strong>4 April \u2013 9 June 2025<\/strong><\/h1>\n\n\n\n<p><strong>A major solo exhibition by Greek-Australian artist Tina Stefanou, <em>You Can\u2019t See Speed<\/em> features a new collaborative commission with blind motorcycle mechanic and rider Matthew Cassar, and surveys the artists\u2019 diverse interests in experimental forms of performance, film, sculpture, ethnographic research and socially engaged practice.<\/strong><\/p>\n\n\n\n<p>Continuing ACCA\u2019s history of highlighting Australian artists at critical moments in their practice,&nbsp;<em>Tina Stefanou: You Can\u2019t See Speed&nbsp;<\/em>attends to the interconnected and multisensory experience of film beyond vision. The exhibition continues Stefanou\u2019s interest in the voice as medium; co-creative collaboration, communal gathering and breaking bread; and solidary between humans and animals. Her work is also known to challenge institutions of power and capitalism, embedding the commons \u2013 from the planetary to the everyday \u2013 and her diasporic, working-class ethic within her work and practice. &nbsp;<\/p>\n\n\n\n<p>Presented across ACCA\u2019s four galleries, <em>Tina Stefanou: You Can\u2019t See Speed <\/em>transforms the building into a living instrument, merging its subterrain engines with the intimacy of voice, all within a haptic, tactile labyrinth of sculptures, films, live performances and dirt bikes. Altering perceptions and cultural hierarchies of sight and social access, the exhibition blurs the boundaries between vision-sound-touch to create an experiential landscape for blind, low vision and sighted audiences.<\/p>\n\n\n\n<p>The new film and sculptural commission coincides with blind motorcyclist and collaborator, Matthew Cassar\u2019s journey of riding dirt bikes in high performance contexts. Concerned with the ideals of collaboration and trust, Stefanou\u2019s film follows Cassar along a surrealist voyage of adrenalin and self-actualisation. Shot across Super 8, 16mm, digital and high-definition film stocks \u2013 tracing the material histories of motion picture \u2013 the work interrogates notions of speed, long-euro-modernity and mechanical process captured on film, referencing Eadweard Muybridge\u2019s images of the horse in movement to the machismo of contemporary motorcycle racing. Accompanying the film is a large-scale, site-specific stunt ramp emblazoned with totemic and ritualistic symbols such as evil eyes, crystals and rosettes, designed to protect from and ward against threats, both imagined and very-much real.<\/p>\n\n\n\n<p>Alongside the new commission, Stefanou presents a modified configuration of her body of cinematic performance works. Featuring rural and regional collaborators, the films form a complex ecology of multispecies, class realities and rural poetics, from migrant, farmer and youth perspectives. The multiple screens are scaffolded by a field of sculptural materials, from salted horse-hooves to found agri-materials, which trespass across the galleries shifting them into a metaphorical nervous system made up of more-than-human, animal and machine parts. A chorus of poetic audio descriptions and closed captions accompany the films, scripted and narrated with existing and long-time collaborators including musicians, family members, friends and high-school students.<\/p>\n\n\n\n<p>Tina Stefanou is a Greek-Australian visual artist, performer, researcher, and filmmaker. With a background as a vocalist, she works undisciplined, with and across a diverse range of mediums, practices, approaches and labours: an embodied practice that she calls&nbsp;<em>voice in the expanded field.<\/em>&nbsp;Stefanou has performed, presented, published and exhibited locally and internationally including most recently in the 2023 <em>Melbourne Now<\/em> exhibition at the National Gallery of Victoria and the 2024 Adelaide Biennial of Contemporary Art. Stefanou was the recipient of the 68th Blake Prize (Emerging Artist Category) and is a PhD candidate in Fine Arts at the Victorian College of the Arts, University of Melbourne.<\/p>\n\n\n\n<p><strong><em>Tina Stefanou \u2013 You Can\u2019t See Speed<\/em><\/strong><\/p>\n\n\n\n<p><strong>4 April \u2013 9 June 2025<\/strong><\/p>\n\n\n\n<p><strong>Curated by Elyse Goldfinch<\/strong><br><\/p>\n\n\n\n<p><strong>Australian Centre for Contemporary Art&nbsp;<\/strong>&nbsp;<\/p>\n\n\n\n<p><strong>111 Sturt Street, Southbank VIC 3006&nbsp;<\/strong>&nbsp;<\/p>\n\n\n\n<p><strong>Melbourne, Australia<\/strong><\/p>\n\n\n\n<p><strong>Opening hours: Tuesday \u2013 Friday 10am\u20135pm, Weekends 11am\u20135pm, Free entry<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.acca.melbourne\/\"><strong>acca.melbourne<\/strong><\/a><\/p>\n\n\n\n<p>#accamelbourne #ArtStartsAtACCA #ArtAtTheDeepEnd\u00a0<br><\/p>\n\n\n\n<p>For further media information:&nbsp;<\/p>\n\n\n\n<p>Katrina Hall&nbsp;<\/p>\n\n\n\n<p>Publicity\/Communications&nbsp;<\/p>\n\n\n\n<p>0421153046&nbsp;<\/p>\n\n\n\n<p><strong>ACCA acknowledges the Wurundjeri Woiwurrung people as sovereign custodians of the land on which we work and welcome visitors, along with the neighbouring Boonwurrung, Bunurong, and wider Kulin Nation. We acknowledge their longstanding and continuing care for Country and we recognise First Peoples art and cultural practice has been thriving here for millennia. We extend our respect to ancestors and Elders past and present, and to all First Nations people.&nbsp;<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>4 April \u2013 9 June 2025 A major solo exhibition by Greek-Australian artist Tina Stefanou, You Can\u2019t See Speed features a new collaborative commission with blind motorcycle mechanic and rider Matthew Cassar, and surveys the artists\u2019 diverse interests in experimental forms of performance, film, sculpture, ethnographic research and socially engaged practice. Continuing ACCA\u2019s history of [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-41909","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/41909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=41909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":40092,"date":"2024-12-16T17:09:57","date_gmt":"2024-12-16T06:09:57","guid":{"rendered":"https:\/\/acca.melbourne\/?post_type=press_release&#038;p=40092"},"modified":"2024-12-16T17:09:57","modified_gmt":"2024-12-16T06:09:57","slug":"charlotte-day-and-lisa-fox-join-the-acca-board","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/charlotte-day-and-lisa-fox-join-the-acca-board\/","title":{"rendered":"Charlotte Day and Lisa Fox join the ACCA Board"},"content":{"rendered":"\n<p><strong>Monday 16 December, 2024: Dr Terry Wu, Chair of The Australian Centre for Contemporary Art (ACCA) announced today that leading Australian museum director Charlotte Day and arts philanthropist Lisa Fox will join the ACCA Board in 2025.<\/strong><\/p>\n\n\n\n<p>Charlotte Day is Director of Art Museums at the University of Melbourne, with oversight of Buxton Contemporary and The Potter Museum of Art. Previously Director of Monash University Museum of Art, Charlotte has more than twenty-five years\u2019 experience as a curator and arts manager. She was formerly an Associate Curator at ACCA, a Director for Centre for Contemporary Photography and has held positions on several arts boards and local, state and federal government arts and funding panels.<\/p>\n\n\n\n<p><br>Philanthropist Lisa Fox is a dedicated advocate for contemporary art and artists. Having driven several major artist commissions, her passion for supporting Australian First Nations art and work by women has been transformative in the Melbourne landscape. Lisa divides her time between Melbourne, Paris, and New York, and has facilitated several exchange programs for Australian artists in France. As the Chair of the Mus\u00e9e Picasso Foundation and a board member of the Fox Family Foundation, Lisa plays a key role in the philanthropic efforts of both organisations and her own initiatives.<\/p>\n\n\n\n<p>Terry Wu said Charlotte and Lisa bring deep understanding and extensive international and national connections within the visual arts and philanthropic sectors to the ACCA Board. \u201cBoth are highly respected within their fields, and have demonstrated an unwavering commitment to advancement within the visual arts industry. Charlotte has worked across all levels of visual arts, including as curator of two of Australia\u2019s presentations at the Venice Biennale, and Lisa has played a critical role in driving, shaping and supporting the Australian cultural and social landscape. We look forward to Charlotte and Lisa\u2019s contributions as we continue to embrace new art and ideas, support artists to push the boundaries of their practice, and welcome diverse audiences to share in the appreciation of contemporary art and culture.\u201d<\/p>\n\n\n\n<p>Charlotte and Lisa join the ACCA Board as the Southbank gallery embarks on a period of significant change under new <strong>Artistic Director\/CEO Myles Russell Cook<\/strong>. &nbsp;\u201cMyles has brought a renewed sense of ambition and purpose to his role at ACCA, and the Board and ACCA team are excited to embrace this new era with vigour.\u201d<\/p>\n\n\n\n<p>\u201cACCA has a celebrated forty-year history at the helm of visual arts in Australia, and the inclusion of Charlotte and Lisa on our Board will enhance our long-term plans to extend our delivery across all aspects of our operations \u2013 from exhibitions, education programs and in providing vitally important opportunities for artists to make career-defining work of ambition and scale.\u201d Terry said.<\/p>\n\n\n\n<p>Charlotte Day and Lisa Fox join existing ACCA Board Members <strong>Sarah Lynn Rees, Andrew Taylor, John Tuck<\/strong> and<strong> Gordon Thomson.<\/strong><\/p>\n\n\n\n<p><strong>Australian Centre for Contemporary Art<\/strong><\/p>\n\n\n\n<p><strong>111 Sturt Street, Southbank VIC 3006<\/strong><\/p>\n\n\n\n<p><strong>Melbourne, Australia<\/strong><\/p>\n\n\n\n<p><strong>Opening hours: Tuesday \u2013 Friday 10am\u20135pm, Weekends 11am\u20135pm<\/strong><\/p>\n\n\n\n<p><strong>Free entry<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.acca.melbourne\/\"><strong>acca.melbourne<\/strong><\/a><\/p>\n\n\n\n<p>#accamelbourne #ArtStartsAtACCA #ArtAtTheDeepEnd<\/p>\n\n\n\n<p>For further media information:<\/p>\n\n\n\n<p>Katrina Hall<\/p>\n\n\n\n<p>Publicity\/Communications<\/p>\n\n\n\n<p>0421153046<\/p>\n\n\n\n<p><strong>ACCA acknowledges the Wurundjeri Woiwurrung people as sovereign custodians of the land on which we work and welcome visitors, along with the neighbouring Boonwurrung, Bunurong, and wider Kulin Nation. We acknowledge their longstanding and continuing care for Country and we recognise First Peoples art and cultural practice has been thriving here for millennia. We extend our respect to ancestors and Elders past and present, and to all First Nations people.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Monday 16 December, 2024: Dr Terry Wu, Chair of The Australian Centre for Contemporary Art (ACCA) announced today that leading Australian museum director Charlotte Day and arts philanthropist Lisa Fox will join the ACCA Board in 2025. Charlotte Day is Director of Art Museums at the University of Melbourne, with oversight of Buxton Contemporary and [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-40092","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/40092","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=40092"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":38925,"date":"2024-12-16T16:05:28","date_gmt":"2024-12-16T05:05:28","guid":{"rendered":"https:\/\/acca.melbourne\/?post_type=press_release&#038;p=38925"},"modified":"2024-12-16T16:05:29","modified_gmt":"2024-12-16T05:05:29","slug":"acca-summer-season-exhibition-the-charge-that-binds","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/acca-summer-season-exhibition-the-charge-that-binds\/","title":{"rendered":"ACCA Summer Season exhibition: The Charge That Binds"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">7 December 2024 \u2013 16 March 2025 <\/h2>\n\n\n\n<p><strong>Celebrating<em>&nbsp;<\/em>the dynamism, vitality and power of natural phenomena and the more-than-human world,&nbsp;<em>The Charge That Binds<\/em>&nbsp;is a major new exhibition reminding us of what is at stake at a time of ecological emergency.&nbsp;<\/strong><\/p>\n\n\n\n<p>Infused with both optimism and grief, the exhibition draws together works that celebrate a world composed of multifaceted, multispecies relations and pulses \u2013 foregrounding and reimaging modes of relationality and connection beyond the disruptive, extractive logic of capital.&nbsp;<\/p>\n\n\n\n<p>Featuring recent artworks by Australian and international artists, alongside several key new commissions, the exhibition traverses a broad range of media including painting, sculpture, moving image, sound and choreography. This lively assembly of practices celebrates and cultivates interdependency and reciprocity across difference in both a poetic and pragmatic register.&nbsp;<\/p>\n\n\n\n<p>Grappling with the entwined issues of ongoing climate change and entrenched social inequity, works presented conjure new (and old) stories about our interconnectedness with the living world and each other, underscored by a recognition that natural exploitation, cultural domination and territorial occupation are often part of ongoing colonial processes and thinking.&nbsp;<\/p>\n\n\n\n<p><em>The Charge That Binds&nbsp;<\/em>adopts a collective curatorial model, with oversight from a curatorial advisory group including Associate&nbsp;Professor Michelle Antoinette, Art History and Theory program, Monash University; Professor Brian Martin, artist and Director of Wominjeka Djeembana Indigenous Research Lab; Professor Peta Rake, Director of University of Queensland Art Museum; and Professor Naomi Stead, Director of the Design and Creative Practice Enabling Capability Platform, RMIT University.&nbsp;<\/p>\n\n\n\n<p><strong>Projects include:<\/strong><\/p>\n\n\n\n<p>An immersive soundscape from Wurundjeri educator, language worker and artist&nbsp;<strong>Brooke Wandin,<\/strong>&nbsp;presented in dialogue with a large-scale drawing by Quandamooka (Stradbroke Island\/Minjerribah) artist&nbsp;<strong>Megan Cope<\/strong>.&nbsp;<\/p>\n\n\n\n<p>Brook Wandin\u2019s&nbsp;<strong><em>biiknganjinu ngangudji<\/em><\/strong><strong>&nbsp;<em>\u2013 hear our Country<\/em>&nbsp;2023&nbsp;<\/strong>features environmental sounds recorded on Country intermingled with community members enunciating Woiwurrung language place names from across the breadth of Wurundjeri Country. Brooke also sings lyrics from&nbsp;<em>All Gone Dead<\/em>&nbsp;(1998), a song with includes the clan names of 14 mountains in the Yarra Valley identified by Kurburu, an elder of the Boonwurrung people, and recorded in the 1840s by William Thomas.&nbsp;<\/p>\n\n\n\n<p><strong>Megan Cope\u2019s<\/strong>&nbsp;accompanying wall drawing,&nbsp;<strong><em>biiknganjinu ngangudji \u2013 see our Country&nbsp;<\/em>2023,&nbsp;<\/strong><\/p>\n\n\n\n<p>is derived from drone footage capturing a 360-degree view of the horizon line at View Hill near Healesville. Cope\u2019s illustration wraps around three walls of the entrance to ACCA\u2019s main gallery and is rendered over rich golden ochre taken from Coranderrk, an important cultural site for peoples of the Kulin nation.&nbsp;<\/p>\n\n\n\n<p>Large-scale mobile sculptures by Naarm\/Melbourne artist&nbsp;<strong>Francis Carmody<\/strong>&nbsp;explore the impact of geomagnetic reversal events on the evolution of life on Earth. Taking inspiration from the Laschamp event \u2013a magnetic anomaly that occurred around 42,000 years ago \u2013 these works examine how shifts in the Earth\u2019s magnetic field could have led to increased surface radiation, triggering genetic mutations and influencing the course of evolutionary history.<\/p>\n\n\n\n<p>A new<em>&nbsp;<\/em>sculptural installation by multidisciplinary artist&nbsp;<strong>Alicia Frankovich<\/strong>&nbsp;intersects references to advanced astronautical technology with organic life. A model of a NASA starshade, an apparatus designed to help view yet unseen exoplanets and stars, is grafted with exploratory sculptural 3D prints of underwater invertebrate known as a Crinoid or feather star, an ancient marine creature whose rhythmic movement through the ocean resembles a kinetic unfurling of plumage.&nbsp;<strong><\/strong><\/p>\n\n\n\n<p><em>Relational Ecologies Laboratory&nbsp;<\/em>is presented by the&nbsp;<strong>Climate Aware Creative Practices Network<\/strong>&nbsp;\u2013 an Australia-wide alliance of creative arts educators, researchers and practitioners working in tertiary education, established to deepen engagement with the challenges posted by climate change. The laboratory is a relational artwork encompassing installations, workshops, reading groups and other activities staged over the three months of the exhibition, in which network members build an inventory and do what climate aware artists do best: work across precarious platforms, sharing, reworking, collaborating and understanding the materiality of artistic circular economies.<\/p>\n\n\n\n<p>A major sculptural installation by M\u0101ori artist&nbsp;<strong>Brett Graham<\/strong>&nbsp;that reexamines the civic monuments and historical legacy of colonial aggressions in the Waikato War of 1863-64. The formreplicates the shape of the gun turret which sat atop New Zealand\u2019s first purpose-built war vessel, the &#8216;Pioneer&#8217;.<\/p>\n\n\n\n<p><strong>Associated programs:<\/strong><\/p>\n\n\n\n<p>The exhibition will be accompanied by a series of experimental workshops, discussions, performances and pedagogical investigations addressing the role of artists and art institutions in fostering collaboration, collective action and new imaginaries in response to our planetary emergency, including:<\/p>\n\n\n\n<p><strong><em>Relational Ecologies Intensive&nbsp;<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>Fri 21 \u2013 Sat 22 February 2025<\/em><\/strong><\/p>\n\n\n\n<p>Relational Ecologies Intensive is a two-day program presented in partnership with the Climate Aware Creative Practice Network and will consist of workshops, reading groups, panel discussions, walk-shops, speculative design workshops, and performances drawn from the nation-wide network and the artists in <em>The Charge That Binds<\/em>. The intensive questions how we study and teach climate aware creative practices, with a special focus on practices that attend to Indigenous land justice<strong>.<\/strong><\/p>\n\n\n\n<p><strong><em>Alicia Frankovich \u2013 Feather Star<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>Sat 22 February 2025 at ACCA<\/em><\/strong><\/p>\n\n\n\n<p>A major new live performance by Alicia Frankovich,&nbsp;Feather Star, co-commissioned with The University of Queensland Art Museum (UQAM), supported by Creative Australia.<\/p>\n\n\n\n<p>Alicia Frankovich has established a highly regarded practice that engages living human and non-human entities to reveal the limits of how we understand notions of nature, with projects presented in major exhibition and institutions throughout Australia and overseas. The pairing of a newly commissioned installation with the major new choreography,&nbsp;Feather Star,&nbsp;in ACCA\u2019s exhibition&nbsp;will allow audiences to experience the vibrant intersection and dialogue of the various registers of her multidisciplinary practice, while expanding conversations and understandings of both the climate emergency and the scope for performance with the gallery context.<\/p>\n\n\n\n<p><strong><em>The Charge that Binds<\/em><\/strong><strong><em><\/em><\/strong><\/p>\n\n\n\n<p><strong>7 December 2024 \u2013 16 March 2024<\/strong><\/p>\n\n\n\n<p><strong>Artists: Zheng Bo, Francis Carmody, Climate Aware Creative Practices Research Network, Megan Cope &amp; Brooke Wandin, Alicia Frankovich, Brett Graham, Jack Green, Mel O\u2019Callaghan, Izabela Pluta, Tita Salina and Irwan Ahmett, Emilija \u0160karnulyt\u0117 and Sorawit Songsataya<br>Curator: Shelley McSpedden<br>Curatorial Advisory Group: Associate Professor Michelle Antoinette, Monash University; Professor Brian Martin, Wominjeka Djeembana Indigenous Research Lab; Peta Rake, UQ Museum; and Professor Naomi Stead, RMIT<\/strong><strong><\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Australian Centre for Contemporary Art&nbsp;<\/strong>&nbsp;<\/p>\n\n\n\n<p><strong>111 Sturt Street, Southbank VIC 3006&nbsp;<\/strong>&nbsp;<\/p>\n\n\n\n<p><strong>Melbourne, Australia<\/strong><\/p>\n\n\n\n<p><strong>Opening hours: Tuesday \u2013 Friday 10am\u20135pm, Weekends 11am\u20135pm, Free entry<\/strong>&nbsp;<a href=\"https:\/\/www.acca.melbourne\/\"><strong>acca.melbourne<\/strong><\/a><a href=\"https:\/\/www.acca.melbourne\/\"><\/a><\/p>\n\n\n\n<p>#accamelbourne #ArtStartsAtACCA #ArtAtTheDeepEnd&nbsp;<\/p>\n\n\n\n<p>For further media information:&nbsp;<\/p>\n\n\n\n<p>Katrina&nbsp;Hall<\/p>\n\n\n\n<p>Publicity\/Communications&nbsp;<\/p>\n\n\n\n<p>0421153046&nbsp;<\/p>\n\n\n\n<p><strong>ACCA acknowledges the Wurundjeri Woiwurrung people as sovereign custodians of the land on which we work and welcome visitors, along with the neighbouring Boonwurrung, Bunurong, and wider Kulin Nation. We acknowledge their longstanding and continuing care for Country and we recognise First Peoples art and cultural practice has been thriving here for millennia. We extend our respect to ancestors and Elders past and present, and to all First Nations people.&nbsp;<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>7 December 2024 \u2013 16 March 2025 Celebrating&nbsp;the dynamism, vitality and power of natural phenomena and the more-than-human world,&nbsp;The Charge That Binds&nbsp;is a major new exhibition reminding us of what is at stake at a time of ecological emergency.&nbsp; Infused with both optimism and grief, the exhibition draws together works that celebrate a world composed [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-38925","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/38925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=38925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":37298,"date":"2024-09-30T11:37:25","date_gmt":"2024-09-30T01:37:25","guid":{"rendered":"https:\/\/acca.melbourne\/?post_type=press_release&#038;p=37298"},"modified":"2024-09-30T11:45:50","modified_gmt":"2024-09-30T01:45:50","slug":"myles-russell-cook-appointed-artistic-director-and-ceo-of-acca","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/myles-russell-cook-appointed-artistic-director-and-ceo-of-acca\/","title":{"rendered":"Myles Russell-Cook appointed Artistic Director &amp; CEO of ACCA"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1613\" src=\"https:\/\/content.acca.melbourne\/uploads\/2024\/09\/Myles-Russell-Cook_Photograph-by-Kyle-Archie-Knight_high-res-1920x1613.jpeg\" alt=\"\" class=\"wp-image-37296\"\/><figcaption class=\"wp-element-caption\">Myles Russell-Cook. Photograph: Kyle Archie Knight<\/figcaption><\/figure>\n\n\n\n<p><strong>ACCA Chair Dr Terry Wu announced today that leading Australian curator Myles Russell-Cook has been appointed Artistic Director &amp; CEO of the Australian Centre for Contemporary Art (ACCA).<\/strong><\/p>\n\n\n\n<p>Currently Senior Curator of Australian and First Nations Art at the National Gallery of Victoria (NGV), Myles Russell-Cook has contributed to and curated numerous significant and internationally recognised projects for the NGV, including the <em>NGV Triennial, Melbourne Now<\/em>, and the landmark collection exhibition, <em>QUEER: Stories from the NGV Collection.<\/em><\/p>\n\n\n\n<p>Born and raised in Naarm\/Melbourne, his maternal Aboriginal ancestors come from the lands of the Wotjobaluk people, and throughout his career he has lived and worked in various communities throughout Australia. Recently Russell-Cook\u2019s curatorial work has led him to spend significant periods of time in North-East Arnhem Land, The Kimberley, and throughout the Torres Strait.<\/p>\n\n\n\n<p>A key figure in driving new developments and initiatives in First Nations art both locally and internationally, Russell-Cook reintroduced First Peoples art back to the ground floor of The Ian Potter Centre: NGV Australia with the launch of <em>Wurrdha Marra<\/em>, and is the curator behind the recently announced exhibition <em>The Stars We Do Not See: Australian Indigenous Art,<\/em> the largest ever travelling exhibition of First Peoples Art from Australia, set to open in October 2025 at the National Gallery of Art, Washington DC.<\/p>\n\n\n\n<p>\u201cWe are very excited to welcome Myles to the role,\u201d Terry said. \u201cAs a curator, he has a proven ability to transcend the boundaries of what contemporary art can do and be, and has created numerous successful exhibitions that are progressive and scholarly, whilst also accessible and inclusive. He is a leading light within the next generation of Australian arts practitioners, with boundless ambition and energy, and an expansive vision that will steer ACCA into the next period of success and growth.\u201d<\/p>\n\n\n\n<p>Myles Russell-Cook&nbsp;has been part of the curatorial team at the NGV for over eight years, most recently overseeing the NGV\u2019s collections of Australian Art, Aboriginal and Torres Strait Islander Art, and Art by Global First Nations Communities. He has worked across a broad range of exhibitions and projects, including <em>Colony: Frontier Wars<\/em> (2017), <em>DESTINY<\/em> (2020), <em>Maree Clarke: Ancestral Memories<\/em> (2021), <em>Found and Gathered: Rosalie Gascoigne and Lorraine Connelly-Northey <\/em>(2022), and the upcoming <em>REKOSPECTIVE: The Art of Reko Rennie<\/em> (2024). Internationally, he has curated several exhibitions including a series in collaboration with the Australian Embassy in Paris, the most recent of which, <em>La terre est bleue<\/em>, is scheduled to open in October 2024.<\/p>\n\n\n\n<p>\u201cI have always loved and admired ACCA, and I am so excited to take on this new position,\u201d he said. \u201cSince its inception, ACCA has been transformative for Australian art, particularly by creating opportunities for artists to make daring and ambitious new work, much of which goes on to be acquired by important state and national collections,\u201d he said.&nbsp;<\/p>\n\n\n\n<p>\u201cWhat\u2019s more, ACCA has always provided audiences with experiences that are utterly of the time, rapidly responding to new artistic developments both locally and internationally. That\u2019s perhaps what I love most about ACCA, the way it has always been ahead of the conversation. I am excited to continue to deliver and expand on this remit and lead such a vitally important institution into the future. The next decade or so in Naarm\/Melbourne is filled with opportunity, and I see ACCA as a leader in the newly developed Melbourne Arts Precinct, and beyond.\u201d he said. <\/p>\n\n\n\n<p>Myles will begin his new role in November following the departure of much-loved Director Max Delany. \u201cMax\u2019s achievements at ACCA are numerous, but one of his defining contributions is a consistent amplification of First Nations art and artists. We know that Myles will continue to do this, and more broadly, to champion local and international artists from all walks of life,\u201d Terry said.<\/p>\n\n\n\n<p><strong>For further media information, contact:&nbsp;<\/strong><\/p>\n\n\n\n<p>Katrina Hall, Publicity\/Communications: 0421 153 046<\/p>\n\n\n\n<p><strong>Australian Centre for Contemporary Art<\/strong><br>111 Sturt Street, Southbank VIC 3006<br>Melbourne, Australia<br>acca.melbourne<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ACCA Chair Dr Terry Wu announced today that leading Australian curator Myles Russell-Cook has been appointed Artistic Director &amp; CEO of the Australian Centre for Contemporary Art (ACCA). Currently Senior Curator of Australian and First Nations Art at the National Gallery of Victoria (NGV), Myles Russell-Cook has contributed to and curated numerous significant and internationally [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-37298","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/37298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=37298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":36858,"date":"2024-07-22T14:01:18","date_gmt":"2024-07-22T04:01:18","guid":{"rendered":"https:\/\/acca.melbourne\/?post_type=press_release&#038;p=36858"},"modified":"2024-09-30T11:20:35","modified_gmt":"2024-09-30T01:20:35","slug":"tennant-creek-brio-juparnta-ngattu-minjinypaiconocrisis","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/tennant-creek-brio-juparnta-ngattu-minjinypaiconocrisis\/","title":{"rendered":"Tennant Creek Brio: Juparnta Ngattu Minjinypa Iconocrisis"},"content":{"rendered":"\n<p>ACCA presents the first major survey of Tennant Creek Brio, an artist collective living and working on <em>Warumungu<\/em> Country. Fusing First Nations cultural traditions, the industrial materiality of the mining industry, and regional and global art influences, the exhibition asserts and re-imagines the artists\u2019 cross-cultural identities, drawing upon the haunting wounds of post-contact histories, the renewal and remaking of cultural practices, and the collaborative resilience and audaciously punk attitude of a frontier community.<\/p>\n\n\n\n<p>Encompassing contemporary artists from Northern Central Australia and Melbourne, Tennant Creek Brio includes key members Fabian Brown Japaljarri, Lindsay Nelson Jakamarra, Rupert Betheras, Joseph Williams Jungarayi, Clifford Thompson Japaljarri, Jimmy Frank Jupurrula, Fabian Rankine Jampijinpa, Marcus Camphoo Kemarre, and collaborators including Eleanor Jawurlngali Dixon, L\u00e9vi McLean, and Gary Sullibhaine. The group first converged in 2016 when the artists initiated an outreach program at the local men\u2019s centre, Anyinginyi Health Aboriginal Corporation.<\/p>\n\n\n\n<p><em>Tennant Creek Brio: Juparnta<\/em><em> <\/em><em>Ngattu&nbsp;Minjinypa<\/em><em> <\/em><em>Iconocrisis<\/em> references The Brio\u2019s practice of reinscribing their experiences, cultural identity and mark making onto salvaged found materials such as oil barrels, car bonnets, solar panels, poker machines, television screens, and geological maps from the abandoned Warrego mine. Confronting the current state of polycrisis, of belief systems in conflict, and contested and scarring histories, the exhibition stresses an urgentneed for truth-telling, future-thinking, collectivity and action. Exploring themes of extraction, reclamation and collaboration, The Brio\u2019s artworks reveal the deeply personal and complex intergenerational influences that continue to shape and entwine the artists\u2019 lives, identities and future-thinking.<\/p>\n\n\n\n<p><em>Warumungu<\/em><em>,<\/em> Warlpiri and English languages converge in the exhibition title<em> Juparnta<\/em><em> <\/em><em>Ngattu&nbsp;Minjinypa<\/em><em> <\/em><em>Iconocrisis<\/em>, which is indicative of the complex intercultural context of Tennant Creek, and The Brio methodology of collaborative creolisation and bricolage.Opening in <em>Warumungu,<\/em><em> Juparnta<\/em><em> <\/em><em>Ngattu<\/em>conjuresnotions of ceremonial strength and power through image-making, while the Walpiri term that follows, <em>Minjinypa<\/em>, means \u2018cheeky one\u2019 or \u2018trouble(maker)\u2019. Paired with the neologism <em>Iconocrisis<strong>, <\/strong><\/em>this gathering of multiple languages attests to the formal, linguistic and material collisions inherent to Tennant Creek Brio\u2019s creative and cultural practice, while highlighting their irreverent approach to bringing images, icons, and ideologies into question. &nbsp;<\/p>\n\n\n\n<p>Alongside the presentation of significant works created over almost a decade, the exhibition at ACCA presents an ambitious, industrially-scaled scenographic assemblage that channels the power and strength of The Brio\u2019s image-making, centring a pertinent critique on colonial extraction, capitalism, and the subsequent social, cultural and political complexities and negotiations that stem from this. The Brio\u2019s signature-style mark-making features across a range of painterly, sculptural, installation, video, drawing and performance practices that highlight the cultural power and rebel-rousing attitude of Tennant Creek Brio\u2019s contemporary art practice.<\/p>\n\n\n\n<p>Since 2016, Tennant Creek Brio has exhibited widely with recent solo exhibitions including <em>Tennant Creek Brio: Cross Section<\/em>, Cassandra Bird Gallery, Gadigal Country\/Sydney, 2024; <em>Remember Now Old Man Nomad<\/em>, cbOne Gallery, Naarm\/Melbourne, 2023; <em>Papulu-ku Nyinjjiki (seeing houses)<\/em>, OFFICE, Naarm\/Melbourne, 2023; <em>Radioactive Anomalies, <\/em>Niagara Galleries, Naarm\/Melbourne, 2023; <em>Shock and Ore<\/em>, Charles Darwin University, Garramilla\/Darwin, 2023; and <em>Tennant Creek Brio: The Myth Makers<\/em>, Chapman &amp; Bailey Gallery, Naarm\/Melbourne, 2022.<\/p>\n\n\n\n<p>Significant group exhibitions include <em>Black Sky<\/em>, Berndt Museum, University of Western Australia, Boorloo\/Perth, 2023; <em>NIRIN: 22<sup>nd<\/sup> Biennale of Sydney<\/em>, Artspace and Cockatoo Island, Gadigal Country\/Sydney, 2020; <em>Control Point: The Tennant Creek Brio<\/em>, RAFT Artspace, Maparntwe\/Alice Springs, 2023; <em>King of the Roosters<\/em>, Raft Artspace, Maparntwe\/Alice Springs, 2023; <em>Tennant Creek Superstars<\/em>, Nyinkka Nyunyu Art and Cultural Centre, Tennant Creek, 2019; and <em>Present Tense<\/em>, Northern Centre for Contemporary Art, Garramilla\/Darwin, 2017.<\/p>\n\n\n\n<p><strong>Artists<\/strong><br>Fabian Brown Japaljarri, Lindsay Nelson Jakamarra, Rupert Betheras, Joseph Williams Jungarayi, Clifford Thompson Japaljarri, Jimmy Frank Jupurrula, Fabian Rankine Jampijinpa, Marcus Camphoo Kemarre, and including\u00a0Eleanor\u00a0Jawurlngali\u00a0Dixon, L\u00e9vi McLean, Gary Sullibhaine<\/p>\n\n\n\n<p><strong>Cultural Advisors<\/strong><br>Joseph Williams Jungarayi, Jimmy Frank Jupurrula<\/p>\n\n\n\n<p><strong>Curatorial Advisor<\/strong><br>Dr Erica Izett<\/p>\n\n\n\n<p><strong>Curators<\/strong><br>Max Delany, Dr Jessica Clark, Elyse Goldfinch and\u00a0Dr\u00a0Shelley McSpedden<\/p>\n\n\n\n<p><strong>TENNANT CREEK BRIO: JUPARNTA NGATTU MINJINYPA ICONOCRISIS<\/strong><br><strong>21 SEPTEMBER \u2013 17 NOVEMBER 2024<\/strong><br><br><strong>Australian Centre for Contemporary Art&nbsp;<\/strong><br><strong>111 Sturt Street, Southbank VIC 3006&nbsp;<\/strong><br><strong>Melbourne, Australia<\/strong><br><strong>Opening hours: Tuesday \u2013 Friday 10am\u20135pm, Weekends 11am\u20135pm, Free entry<\/strong><br><a href=\"https:\/\/www.acca.melbourne\/\"><strong>acca.melbourne<\/strong><\/a><br>#accamelbourne #ArtStartsAtACCA #ArtAtTheDeepEnd<\/p>\n\n\n\n<p>For further media information:<\/p>\n\n\n\n<p>Katrina Hall<br>Publicity\/Communications<br>0421153046<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ACCA presents the first major survey of Tennant Creek Brio, an artist collective living and working on Warumungu Country. Fusing First Nations cultural traditions, the industrial materiality of the mining industry, and regional and global art influences, the exhibition asserts and re-imagines the artists\u2019 cross-cultural identities, drawing upon the haunting wounds of post-contact histories, the [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-36858","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/36858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=36858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}]