[{"id":54222,"date":"2026-02-25T16:37:51","date_gmt":"2026-02-25T05:37:51","guid":{"rendered":"https:\/\/acca.melbourne\/?post_type=press_release&#038;p=54222"},"modified":"2026-02-25T16:37:51","modified_gmt":"2026-02-25T05:37:51","slug":"laura-de-neefe-appointed-executive-director-acca","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/laura-de-neefe-appointed-executive-director-acca\/","title":{"rendered":"Laura De Neefe appointed Executive Director, ACCA"},"content":{"rendered":"\n<p><strong>Wednesday 25 February, 2026: Dr Terry Wu, Chair, Australian Centre for Contemporary Art (ACCA) announced today Laura De Neefe appointed as ACCA Executive Director.<\/strong><\/p>\n\n\n\n<p>Laura De Neefe is an arts leader who has spent over a decade contributing to the visual arts and cultural community of Naarm\/Melbourne. Her leadership is grounded in a deep commitment to artists, team development and workplace culture, access to contemporary art, and equitable cultural institutions.<\/p>\n\n\n\n<p>Laura joined ACCA\u2019s Executive Team in 2022, working closely with the team and Board on ACCA&#8217;s strategic vision, finance and governance, and workplace initiatives.<\/p>\n\n\n\n<p>Laura brings strong organisational knowledge to the position of Executive Director having commenced at ACCA in 2017. During her time at ACCA, she has worked to strengthen philanthropic support for exhibitions, education and programs, build strategic partnerships, secure significant grants and government funding, enhance ACCA\u2019s inclusion and equity, nurture a supportive workplace and promote ACCA&#8217;s activities to diverse audiences.<\/p>\n\n\n\n<p>Terry said, \u2018Laura brings high-level art leadership and strategic experience to the role of Executive Director. She has extensive and detailed knowledge of ACCA and has been with the organisation since 2017, previously in the role of Director, Development &amp; Engagement. Laura has also led the team as Acting Executive Director in 2022. We are delighted to welcome back Laura as the Executive Director, and look forward to working with Laura and CEO and Artistic Director Myles Russell-Cook to champion ACCA\u2019s role as the nation\u2019s premier contemporary art commissioning organisation.\u2019&nbsp;<\/p>\n\n\n\n<p>\u2018ACCA is an organisation very close to my heart,\u2019 Laura said, \u2018I am excited to take on this new position and work closely with Myles and with our outstanding team and Board to further ACCA\u2019s leadership in the contemporary arts ecology, with artists at the centre of our vision.\u2019<\/p>\n\n\n\n<p>Laura commenced in the role of Executive Director in January 2026 following parental leave in 2025.<\/p>\n\n\n\n<p><strong>Laura De Neefe completes ACCA\u2019s executive leadership team&nbsp;<\/strong>joining CEO and Artistic Director&nbsp;<strong>Myles Russell-Cook<\/strong>, along with ACCA Chair&nbsp;<strong>Dr Terry Wu<\/strong>&nbsp;and Board members&nbsp;<strong>Lisa Bowman, Maree Clarke, Elisa Clements, Charlotte Day, Lisa Fox, Patricia Piccinini,<\/strong>&nbsp;<strong>Sarah Lynn Rees, Dr Theresia Spencer<\/strong>,&nbsp;<strong>Gordon Thomson<\/strong>&nbsp;and&nbsp;<strong>John Tuck<\/strong>.<\/p>\n\n\n\n<p><strong>Australian Centre for Contemporary Art&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>111 Sturt Street, Southbank VIC 3006&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>Melbourne, Australia<\/strong><\/p>\n\n\n\n<p><strong>Opening hours: Tuesday \u2013 Friday 10am\u20135pm, Weekends 11am\u20135pm<\/strong><\/p>\n\n\n\n<p><strong>Free entry<\/strong><\/p>\n\n\n\n<p><a href=\"http:\/\/www.acca.melbourne\/\"><strong>acca.melbourne<\/strong><\/a><\/p>\n\n\n\n<p>#ACCAMelbourne<\/p>\n\n\n\n<p>For further media information:<\/p>\n\n\n\n<p>Bridget Thompson<\/p>\n\n\n\n<p>Marketing &amp; Digital Engagement Manager<\/p>\n\n\n\n<p><a href=\"mailto:pr.marketing@acca.melbourne\">pr.marketing@acca.melbourne<\/a><\/p>\n\n\n\n<p><strong>ACCA acknowledges the Wurundjeri Woiwurrung people as sovereign custodians of the land on which we work and welcome visitors, along with the neighbouring Boonwurrung, Bunurong, and wider Kulin Nation. We acknowledge their longstanding and continuing care for Country and we recognise First Peoples art and cultural practice has been thriving here for millennia. We extend our respect to ancestors and Elders past and present, and to all First Nations people<\/strong><strong><br><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wednesday 25 February, 2026: Dr Terry Wu, Chair, Australian Centre for Contemporary Art (ACCA) announced today Laura De Neefe appointed as ACCA Executive Director. Laura De Neefe is an arts leader who has spent over a decade contributing to the visual arts and cultural community of Naarm\/Melbourne. Her leadership is grounded in a deep commitment [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-54222","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/54222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=54222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":54000,"date":"2026-01-29T16:30:48","date_gmt":"2026-01-29T05:30:48","guid":{"rendered":""},"modified":"2026-01-29T16:30:49","modified_gmt":"2026-01-29T05:30:49","slug":"maree-clarke-lisa-bowman-and-elisa-clements-join-the-acca-board","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/maree-clarke-lisa-bowman-and-elisa-clements-join-the-acca-board\/","title":{"rendered":"<strong class='ep-highlight'>Maree<\/strong> <strong class='ep-highlight'>Clarke<\/strong>, Lisa Bowman and Elisa Clements join the ACCA Board"},"content":{"rendered":"\n<p><strong>Thursday 29 January:&nbsp;<\/strong>Dr Terry Wu, Chair of the Australian Centre for Contemporary Art, today announced the appointment of artist&nbsp;<strong>***Maree^^^ ***Clarke<\/strong>^^^, communications and governance specialist&nbsp;<strong>Lisa Bowman<\/strong>","protected":false},"excerpt":{"rendered":"<p>Thursday 29 January:&nbsp;Dr Terry Wu, Chair of the Australian Centre for Contemporary Art, today announced the appointment of artist&nbsp;***Maree^^^ ***Clarke^^^, communications and governance specialist&nbsp;Lisa Bowman<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-54000","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/54000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=54000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":52946,"date":"2025-08-27T16:48:52","date_gmt":"2025-08-27T06:48:52","guid":{"rendered":"https:\/\/acca.melbourne\/?post_type=press_release&#038;p=52946"},"modified":"2025-08-27T16:48:53","modified_gmt":"2025-08-27T06:48:53","slug":"patricia-piccinini-and-dr-theresia-spencer-join-the-acca-board","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/patricia-piccinini-and-dr-theresia-spencer-join-the-acca-board\/","title":{"rendered":"Patricia Piccinini and Dr Theresia Spencer\u00a0join the ACCA Board"},"content":{"rendered":"\n<p><strong>Wednesday 27<sup>th<\/sup>&nbsp;August, 2025: Dr Terry Wu, Chair of The Australian Centre for Contemporary Art (ACCA) announced today that internationally renowned Australian artist Patricia Piccinini and arts advocate Dr Theresia Spencer have joined the ACCA Board.<\/strong><\/p>\n\n\n\n<p>Patricia Piccinini is one of Australia\u2019s best-known and globally celebrated artists. Currently Professor of Practice at RMIT University, Patricia represented Australia at the 2003 Venice Biennale, and her work is held in all leading Australian and many international collecting institutions. Most recently, Patricia\u2019s hyper-realist sculptures of surreal hybrid animals and vehicular creatures enthralled visitors to the abandoned ballroom above Melbourne\u2019s Flinders Street Station with the exhibition&nbsp;<em>A Miracle Constantly Repeated.<\/em><\/p>\n\n\n\n<p>Patricia has a long history of association with ACCA. Her first major survey exhibition,&nbsp;<em>Retrospectology: The World According to Patricia Piccinini<\/em>, was the second exhibition to be shown in ACCA\u2019s Southbank premises in 2002, and in 2013, her much-loved hot-air balloon Skywhale, commissioned for the Centenary of Canberra, was tethered to the ACCA Forecort. \u2018ACCA is an incredibly important space in Melbourne\u2019s contemporary art scene, and I feel honoured to be able to contribute in any way I can,\u2019 Patricia said.<\/p>\n\n\n\n<p><br>Dr Theresia Spencer is a Melbourne-based arts philanthropist, deeply committed to supporting cultural institutions and artistic practice, and an Australian Ambassador for the Venice Biennale. She holds a Doctor of Clinical Dentistry degree (Orthodontics) and is a Fellow of the Royal College of Surgeons of Edinburgh and the Royal Australasian College of Dental Surgeons. Theresia is a spokesperson for the Australian Society of Orthodontists and is an international lecturer for Invisalign.<\/p>\n\n\n\n<p>\u2018I am excited to work with Terry and the ACCA Board to help ACCA continue to provide such a vital platform and forum for emerging and established artists, and a space where they have the freedom to take risks, such that audiences have the opportunity to be challenged, surprised and inspired,\u2019 Theresia said.<br><\/p>\n\n\n\n<p>Terry said, \u2018Patricia and Theresia bring diverse expertise to the ACCA Board. Patricia\u2019s experience as an artist who has exhibited at major institutions worldwide is unmatched, and her connections and perspective will enrich our work as an institution focused on supporting artists to do their best and boldest work. She has a long history of involvement with ACCA, as both an artist and an audience member, and we are thrilled to welcome her to the Board.\u2019<\/p>\n\n\n\n<p>\u2018Theresia is a dedicated and passionate arts advocate who supports the arts because she believes in its power to shape communities and to change the way we see the world. I look forward to working closely with Theresia to consolidate support for ACCA and expand ACCA\u2019s delivery across exhibitions and ground-breaking education programs.<\/p>\n\n\n\n<p>\u2018Supporting artists to take risks is at the heart of everything we do, and Theresia and Patricia are invaluable additions to the ACCA Board, joining in a period of renewal and heightened activity, with a vibrant forward program under new Artistic Director and CEO Myles Russell Cook and ambitious plans for ACCA\u2019s future,\u2019 Terry said.<\/p>\n\n\n\n<p><strong>Patricia Piccinini and Theresia Spencer join existing ACCA Board members Charlotte Day, Lisa Fox, Sarah Lynn Rees, Andrew Taylor, John Tuck and Gordon Thomson.&nbsp;<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Australian Centre for Contemporary Art&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>111 Sturt Street, Southbank VIC 3006&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>Melbourne, Australia<\/strong><\/p>\n\n\n\n<p><strong>Opening hours: Tuesday \u2013 Friday 10am\u20135pm, Weekends 11am\u20135pm<\/strong><\/p>\n\n\n\n<p><strong>Free entry<\/strong><\/p>\n\n\n\n<p><a href=\"http:\/\/www.acca.melbourne\/\"><strong>acca.melbourne<\/strong><\/a><\/p>\n\n\n\n<p>#accamelbourne #ArtStartsAtACCA #ArtAtTheDeepEnd<\/p>\n\n\n\n<p>For further media information:<\/p>\n\n\n\n<p>Katrina Hall<\/p>\n\n\n\n<p>Publicity\/Communications<\/p>\n\n\n\n<p>0421153046<\/p>\n\n\n\n<p><strong>ACCA acknowledges the Wurundjeri Woiwurrung people as sovereign custodians of the land on which we work and welcome visitors, along with the neighbouring Boonwurrung, Bunurong, and wider Kulin Nation. We acknowledge their longstanding and continuing care for Country and we recognise First Peoples art and cultural practice has been thriving here for millennia. We extend our respect to ancestors and Elders past and present, and to all First Nations people.<\/strong><strong><br><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wednesday 27th&nbsp;August, 2025: Dr Terry Wu, Chair of The Australian Centre for Contemporary Art (ACCA) announced today that internationally renowned Australian artist Patricia Piccinini and arts advocate Dr Theresia Spencer have joined the ACCA Board. Patricia Piccinini is one of Australia\u2019s best-known and globally celebrated artists. Currently Professor of Practice at RMIT University, Patricia represented [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-52946","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/52946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=52946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":52945,"date":"2025-08-27T16:20:49","date_gmt":"2025-08-27T06:20:49","guid":{"rendered":"https:\/\/acca.melbourne\/?post_type=press_release&#038;p=52945"},"modified":"2025-08-27T16:20:50","modified_gmt":"2025-08-27T06:20:50","slug":"tschabalala-self-skin-tight","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/tschabalala-self-skin-tight\/","title":{"rendered":"Tschabalala Self: Skin tight"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p><strong>One of the most-in-demand figurative painters working today, Tschabalala Self\u2019s distinctive style combines fabric, collage and painting with innovative printing techniques and a steadfast focus on beauty as a form of artistic resistance.<\/strong>&nbsp;<\/p>\n\n\n\n<p><strong>ACCA is pleased to present her first Australian solo exhibition from Friday 12 September to Sunday 23 November.<\/strong>&nbsp;<\/p>\n\n\n\n<p>With new and recent large-scale paintings, works on paper and an immersive 3-channel video installation,\u00a0<em>Skin Tight<\/em>\u202fintroduces Australian audiences to a practice celebrated for its beauty and sophistication. Born in 1990 in Harlem, New York,\u00a0Tschabalala Selfworks out of her studio in the picturesque Hudson Valley.<s>\u00a0<\/s>Her work is inspired by her ancestral and familial ties to New Orleans and is infused with a vibrancy drawn from the Harlem Renaissance, as well as jazz, dance, and performance. Self channels these energies into profound reflections on Black embodiment and experience. \u202f\u00a0<\/p>\n\n\n\n<p>For her exhibition at ACCA, Self has designed a series of contemplative, psychologically charged immersive spaces, filled with striking 2D and 3D works. The exuberant characters that populate\u202f<em>Skin Tight<\/em>\u202fpush audiences to consider how we construct our identities \u2013 and how we both perceive and are perceived by the world around us. Self\u2019s figures are not representative of any singular individual, rather, they are collages of various people and references from throughout her life.&nbsp;<\/p>\n\n\n\n<p>Through cut-outs, sightlines and wall drawings, Self has created an immersive exhibition experience \u2013 one where audiences are encouraged to feel part of the installation. Inside her fantastic worlds, we become active participants in the work, reflecting on themes of exhibitionism, voyeurism, myth making, and identity. By harnessing a multitude of references and media, Self explores the psychological, emotional, spiritual and sexual dimensions of being alive, and continually challenges our perceptions of identity.<em>\u202fSkin Tight<\/em>\u202fspeaks to both the limitations and\u202ffreedom of embodiment.&nbsp;<\/p>\n\n\n\n<p><strong>ACCA Artistic Director and CEO Myles Russell-Cook<\/strong>&nbsp;said the exhibition showcases Self\u2019s unique approach to portraiture and figuration in a fresh cultural context. \u201cTschabalala\u2019s work is an act of self-revelation\u2014one that challenges narrow definitions imposed on bodies, expanding them to encompass the fullness of the human spirit. Her figures occupy a space between representation and transcendence, constantly evolving and never static. Through this, her work offers a transformative vision of our shared humanity, pushing beyond the constraints of persecution to reveal the depths of human potential.\u201d&nbsp;<\/p>\n\n\n\n<p>&nbsp;<br>Tschabalala Self (b. 1990, Harlem, USA) lives and works in Hudson Valley, New York.\u202f&nbsp;<\/p>\n\n\n\n<p>Tschabalala Self has shown at major institutions, globally, including Longlati Foundation, Shanghai; Espoo Museum of Modern Art, Espoo; High Line, New York; Brooklyn Museum, New York; FLAG Foundation, New York; Barbican, London; CC Strombeek, Grimbergen, Belgium; Desert X, Coachella Valley; Kunstmuseum St Gallen; Le Consortium, Dijon; Performa 2021 Biennial, New York; Haus der Kunst, Munich; Kunsthalle D\u00fcsseldorf; Baltimore Museum of Art; ICA Boston; Studio Museum Artists in Residence, MoMA PS1, New York; Hammer Museum, Los Angeles; Frye Art Museum, Seattle, among many others.&nbsp;<\/p>\n\n\n\n<p><strong>Tschabalala Self: Skin Tight<\/strong>&nbsp;<\/p>\n\n\n\n<p>Fri 12 Sep 2025\u2013Sun 23 Nov 2025&nbsp;<\/p>\n\n\n\n<p><strong>Curated by:<\/strong>\u202fDr Shelley McSpedden &amp; Myles Russell-Cook&nbsp;<\/p>\n\n\n\n<p>ACCA warmly thanks Visionary Supporters, Drs Theresia and Kevin Spencer, and Principal Partner, Pilar Corrias, for their generous support of this exhibition.<\/p>\n\n\n\n<p><strong>Australian Centre for Contemporary Art\u202f<\/strong>\u202f&nbsp;<\/p>\n\n\n\n<p><strong>111 Sturt Street, Southbank VIC 3006\u202f<\/strong>\u202f&nbsp;<\/p>\n\n\n\n<p><strong>Melbourne, Australia<\/strong>&nbsp;<\/p>\n\n\n\n<p><strong>Opening hours: Tuesday \u2013 Friday 10am\u20135pm, Weekends 11am\u20135pm, Free entry<\/strong>&nbsp;<\/p>\n\n\n\n<p><a href=\"http:\/\/www.acca.melbourne\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>acca.melbourne<\/strong><\/a>&nbsp;<\/p>\n\n\n\n<p><strong><u>#ACCAMelbourne&nbsp;&nbsp;#ACCASkinTight<\/u><\/strong>&nbsp;<\/p>\n\n\n\n<p>For further media information:\u202f&nbsp;<\/p>\n\n\n\n<p>\u202f\u202f&nbsp;<\/p>\n\n\n\n<p>Katrina Hall\u202f&nbsp;<\/p>\n\n\n\n<p>Publicity\/Communications\u202f&nbsp;<\/p>\n\n\n\n<p>0421153046\u202f&nbsp;<\/p>\n\n\n\n<p>\u202f\u202f&nbsp;<\/p>\n\n\n\n<p>ACCA proudly acknowledges the Wurundjeri Woiwurrung peoples as the sovereign custodians of the lands and waterways on which we work and welcome visitors, along with the neighbouring Boonwurrung, and Bunurong peoples, and wider Kulin Nation. We acknowledge the enduring custodianship of Country that has shaped what we now recognise as Australia. We also honour the artistic work of First Peoples, including their art, design, and material culture, which we celebrate as the only art that is entirely unique to this continent.&nbsp;&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>One of the most-in-demand figurative painters working today, Tschabalala Self\u2019s distinctive style combines fabric, collage and painting with innovative printing techniques and a steadfast focus on beauty as a form of artistic resistance.&nbsp; ACCA is pleased to present her first Australian solo exhibition from Friday 12 September to Sunday 23 November.&nbsp; With new and recent [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-52945","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/52945","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=52945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":52400,"date":"2025-06-25T13:22:42","date_gmt":"2025-06-25T03:22:42","guid":{"rendered":""},"modified":"2025-06-25T13:24:03","modified_gmt":"2025-06-25T03:24:03","slug":"five-acts-of-love","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/five-acts-of-love\/","title":{"rendered":"Five Acts of Love"},"content":{"rendered":" that increases body-mind focus \u2013 a reminder of God and unity with the divine.\u00a0<\/li>\n<!-- \/wp:post-content --><\/ul>\n<!-- \/wp:list -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>Iranian born, Melbourne based artist ***Hoda^^^ ***Afshar^^^ presents her acclaimed series\u00a0<em>In Turn\u00a0<\/em>(2023","protected":false},"excerpt":{"rendered":"<p>that increases body-mind focus \u2013 a reminder of God and unity with the divine.\u00a0 Iranian born, Melbourne based artist ***Hoda^^^ ***Afshar^^^ presents her acclaimed series\u00a0In Turn\u00a0(2023<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-52400","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/52400","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=52400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":41909,"date":"2025-01-15T15:42:05","date_gmt":"2025-01-15T04:42:05","guid":{"rendered":"https:\/\/acca.melbourne\/?post_type=press_release&#038;p=41909"},"modified":"2025-01-15T15:42:05","modified_gmt":"2025-01-15T04:42:05","slug":"tina-stefanou-you-cant-see-speed","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/tina-stefanou-you-cant-see-speed\/","title":{"rendered":"Tina Stefanou: You Can&#8217;t See Speed"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\"><strong>4 April \u2013 9 June 2025<\/strong><\/h1>\n\n\n\n<p><strong>A major solo exhibition by Greek-Australian artist Tina Stefanou, <em>You Can\u2019t See Speed<\/em> features a new collaborative commission with blind motorcycle mechanic and rider Matthew Cassar, and surveys the artists\u2019 diverse interests in experimental forms of performance, film, sculpture, ethnographic research and socially engaged practice.<\/strong><\/p>\n\n\n\n<p>Continuing ACCA\u2019s history of highlighting Australian artists at critical moments in their practice,&nbsp;<em>Tina Stefanou: You Can\u2019t See Speed&nbsp;<\/em>attends to the interconnected and multisensory experience of film beyond vision. The exhibition continues Stefanou\u2019s interest in the voice as medium; co-creative collaboration, communal gathering and breaking bread; and solidary between humans and animals. Her work is also known to challenge institutions of power and capitalism, embedding the commons \u2013 from the planetary to the everyday \u2013 and her diasporic, working-class ethic within her work and practice. &nbsp;<\/p>\n\n\n\n<p>Presented across ACCA\u2019s four galleries, <em>Tina Stefanou: You Can\u2019t See Speed <\/em>transforms the building into a living instrument, merging its subterrain engines with the intimacy of voice, all within a haptic, tactile labyrinth of sculptures, films, live performances and dirt bikes. Altering perceptions and cultural hierarchies of sight and social access, the exhibition blurs the boundaries between vision-sound-touch to create an experiential landscape for blind, low vision and sighted audiences.<\/p>\n\n\n\n<p>The new film and sculptural commission coincides with blind motorcyclist and collaborator, Matthew Cassar\u2019s journey of riding dirt bikes in high performance contexts. Concerned with the ideals of collaboration and trust, Stefanou\u2019s film follows Cassar along a surrealist voyage of adrenalin and self-actualisation. Shot across Super 8, 16mm, digital and high-definition film stocks \u2013 tracing the material histories of motion picture \u2013 the work interrogates notions of speed, long-euro-modernity and mechanical process captured on film, referencing Eadweard Muybridge\u2019s images of the horse in movement to the machismo of contemporary motorcycle racing. Accompanying the film is a large-scale, site-specific stunt ramp emblazoned with totemic and ritualistic symbols such as evil eyes, crystals and rosettes, designed to protect from and ward against threats, both imagined and very-much real.<\/p>\n\n\n\n<p>Alongside the new commission, Stefanou presents a modified configuration of her body of cinematic performance works. Featuring rural and regional collaborators, the films form a complex ecology of multispecies, class realities and rural poetics, from migrant, farmer and youth perspectives. The multiple screens are scaffolded by a field of sculptural materials, from salted horse-hooves to found agri-materials, which trespass across the galleries shifting them into a metaphorical nervous system made up of more-than-human, animal and machine parts. A chorus of poetic audio descriptions and closed captions accompany the films, scripted and narrated with existing and long-time collaborators including musicians, family members, friends and high-school students.<\/p>\n\n\n\n<p>Tina Stefanou is a Greek-Australian visual artist, performer, researcher, and filmmaker. With a background as a vocalist, she works undisciplined, with and across a diverse range of mediums, practices, approaches and labours: an embodied practice that she calls&nbsp;<em>voice in the expanded field.<\/em>&nbsp;Stefanou has performed, presented, published and exhibited locally and internationally including most recently in the 2023 <em>Melbourne Now<\/em> exhibition at the National Gallery of Victoria and the 2024 Adelaide Biennial of Contemporary Art. Stefanou was the recipient of the 68th Blake Prize (Emerging Artist Category) and is a PhD candidate in Fine Arts at the Victorian College of the Arts, University of Melbourne.<\/p>\n\n\n\n<p><strong><em>Tina Stefanou \u2013 You Can\u2019t See Speed<\/em><\/strong><\/p>\n\n\n\n<p><strong>4 April \u2013 9 June 2025<\/strong><\/p>\n\n\n\n<p><strong>Curated by Elyse Goldfinch<\/strong><br><\/p>\n\n\n\n<p><strong>Australian Centre for Contemporary Art&nbsp;<\/strong>&nbsp;<\/p>\n\n\n\n<p><strong>111 Sturt Street, Southbank VIC 3006&nbsp;<\/strong>&nbsp;<\/p>\n\n\n\n<p><strong>Melbourne, Australia<\/strong><\/p>\n\n\n\n<p><strong>Opening hours: Tuesday \u2013 Friday 10am\u20135pm, Weekends 11am\u20135pm, Free entry<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.acca.melbourne\/\"><strong>acca.melbourne<\/strong><\/a><\/p>\n\n\n\n<p>#accamelbourne #ArtStartsAtACCA #ArtAtTheDeepEnd\u00a0<br><\/p>\n\n\n\n<p>For further media information:&nbsp;<\/p>\n\n\n\n<p>Katrina Hall&nbsp;<\/p>\n\n\n\n<p>Publicity\/Communications&nbsp;<\/p>\n\n\n\n<p>0421153046&nbsp;<\/p>\n\n\n\n<p><strong>ACCA acknowledges the Wurundjeri Woiwurrung people as sovereign custodians of the land on which we work and welcome visitors, along with the neighbouring Boonwurrung, Bunurong, and wider Kulin Nation. We acknowledge their longstanding and continuing care for Country and we recognise First Peoples art and cultural practice has been thriving here for millennia. We extend our respect to ancestors and Elders past and present, and to all First Nations people.&nbsp;<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>4 April \u2013 9 June 2025 A major solo exhibition by Greek-Australian artist Tina Stefanou, You Can\u2019t See Speed features a new collaborative commission with blind motorcycle mechanic and rider Matthew Cassar, and surveys the artists\u2019 diverse interests in experimental forms of performance, film, sculpture, ethnographic research and socially engaged practice. Continuing ACCA\u2019s history of [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-41909","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/41909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=41909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":40092,"date":"2024-12-16T17:09:57","date_gmt":"2024-12-16T06:09:57","guid":{"rendered":"https:\/\/acca.melbourne\/?post_type=press_release&#038;p=40092"},"modified":"2024-12-16T17:09:57","modified_gmt":"2024-12-16T06:09:57","slug":"charlotte-day-and-lisa-fox-join-the-acca-board","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/charlotte-day-and-lisa-fox-join-the-acca-board\/","title":{"rendered":"Charlotte Day and Lisa Fox join the ACCA Board"},"content":{"rendered":"\n<p><strong>Monday 16 December, 2024: Dr Terry Wu, Chair of The Australian Centre for Contemporary Art (ACCA) announced today that leading Australian museum director Charlotte Day and arts philanthropist Lisa Fox will join the ACCA Board in 2025.<\/strong><\/p>\n\n\n\n<p>Charlotte Day is Director of Art Museums at the University of Melbourne, with oversight of Buxton Contemporary and The Potter Museum of Art. Previously Director of Monash University Museum of Art, Charlotte has more than twenty-five years\u2019 experience as a curator and arts manager. She was formerly an Associate Curator at ACCA, a Director for Centre for Contemporary Photography and has held positions on several arts boards and local, state and federal government arts and funding panels.<\/p>\n\n\n\n<p><br>Philanthropist Lisa Fox is a dedicated advocate for contemporary art and artists. Having driven several major artist commissions, her passion for supporting Australian First Nations art and work by women has been transformative in the Melbourne landscape. Lisa divides her time between Melbourne, Paris, and New York, and has facilitated several exchange programs for Australian artists in France. As the Chair of the Mus\u00e9e Picasso Foundation and a board member of the Fox Family Foundation, Lisa plays a key role in the philanthropic efforts of both organisations and her own initiatives.<\/p>\n\n\n\n<p>Terry Wu said Charlotte and Lisa bring deep understanding and extensive international and national connections within the visual arts and philanthropic sectors to the ACCA Board. \u201cBoth are highly respected within their fields, and have demonstrated an unwavering commitment to advancement within the visual arts industry. Charlotte has worked across all levels of visual arts, including as curator of two of Australia\u2019s presentations at the Venice Biennale, and Lisa has played a critical role in driving, shaping and supporting the Australian cultural and social landscape. We look forward to Charlotte and Lisa\u2019s contributions as we continue to embrace new art and ideas, support artists to push the boundaries of their practice, and welcome diverse audiences to share in the appreciation of contemporary art and culture.\u201d<\/p>\n\n\n\n<p>Charlotte and Lisa join the ACCA Board as the Southbank gallery embarks on a period of significant change under new <strong>Artistic Director\/CEO Myles Russell Cook<\/strong>. &nbsp;\u201cMyles has brought a renewed sense of ambition and purpose to his role at ACCA, and the Board and ACCA team are excited to embrace this new era with vigour.\u201d<\/p>\n\n\n\n<p>\u201cACCA has a celebrated forty-year history at the helm of visual arts in Australia, and the inclusion of Charlotte and Lisa on our Board will enhance our long-term plans to extend our delivery across all aspects of our operations \u2013 from exhibitions, education programs and in providing vitally important opportunities for artists to make career-defining work of ambition and scale.\u201d Terry said.<\/p>\n\n\n\n<p>Charlotte Day and Lisa Fox join existing ACCA Board Members <strong>Sarah Lynn Rees, Andrew Taylor, John Tuck<\/strong> and<strong> Gordon Thomson.<\/strong><\/p>\n\n\n\n<p><strong>Australian Centre for Contemporary Art<\/strong><\/p>\n\n\n\n<p><strong>111 Sturt Street, Southbank VIC 3006<\/strong><\/p>\n\n\n\n<p><strong>Melbourne, Australia<\/strong><\/p>\n\n\n\n<p><strong>Opening hours: Tuesday \u2013 Friday 10am\u20135pm, Weekends 11am\u20135pm<\/strong><\/p>\n\n\n\n<p><strong>Free entry<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.acca.melbourne\/\"><strong>acca.melbourne<\/strong><\/a><\/p>\n\n\n\n<p>#accamelbourne #ArtStartsAtACCA #ArtAtTheDeepEnd<\/p>\n\n\n\n<p>For further media information:<\/p>\n\n\n\n<p>Katrina Hall<\/p>\n\n\n\n<p>Publicity\/Communications<\/p>\n\n\n\n<p>0421153046<\/p>\n\n\n\n<p><strong>ACCA acknowledges the Wurundjeri Woiwurrung people as sovereign custodians of the land on which we work and welcome visitors, along with the neighbouring Boonwurrung, Bunurong, and wider Kulin Nation. We acknowledge their longstanding and continuing care for Country and we recognise First Peoples art and cultural practice has been thriving here for millennia. We extend our respect to ancestors and Elders past and present, and to all First Nations people.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Monday 16 December, 2024: Dr Terry Wu, Chair of The Australian Centre for Contemporary Art (ACCA) announced today that leading Australian museum director Charlotte Day and arts philanthropist Lisa Fox will join the ACCA Board in 2025. Charlotte Day is Director of Art Museums at the University of Melbourne, with oversight of Buxton Contemporary and [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-40092","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/40092","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=40092"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":38925,"date":"2024-12-16T16:05:28","date_gmt":"2024-12-16T05:05:28","guid":{"rendered":""},"modified":"2024-12-16T16:05:29","modified_gmt":"2024-12-16T05:05:29","slug":"acca-summer-season-exhibition-the-charge-that-binds","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/acca-summer-season-exhibition-the-charge-that-binds\/","title":{"rendered":"ACCA Summer Season exhibition: The Charge That Binds"},"content":{"rendered":"<p>&nbsp;Professor Michelle Antoinette, Art History and Theory program, Monash University; Professor ***Brian^^^ ***Martin^^^, artist and Director of Wominjeka Djeembana Indigenous Research Lab; Professor Peta Rake, Director of University of Queensland Art Museum; and Professor Naomi Stead, Director of the Design<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;Professor Michelle Antoinette, Art History and Theory program, Monash University; Professor ***Brian^^^ ***Martin^^^, artist and Director of Wominjeka Djeembana Indigenous Research Lab; Professor Peta Rake, Director of University of Queensland Art Museum; and Professor Naomi Stead, Director of the Design<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-38925","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/38925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=38925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":37298,"date":"2024-09-30T11:37:25","date_gmt":"2024-09-30T01:37:25","guid":{"rendered":"https:\/\/acca.melbourne\/?post_type=press_release&#038;p=37298"},"modified":"2024-09-30T11:45:50","modified_gmt":"2024-09-30T01:45:50","slug":"myles-russell-cook-appointed-artistic-director-and-ceo-of-acca","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/myles-russell-cook-appointed-artistic-director-and-ceo-of-acca\/","title":{"rendered":"Myles Russell-Cook appointed Artistic Director &amp; CEO of ACCA"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1613\" src=\"https:\/\/content.acca.melbourne\/uploads\/2024\/09\/Myles-Russell-Cook_Photograph-by-Kyle-Archie-Knight_high-res-1920x1613.jpeg\" alt=\"\" class=\"wp-image-37296\"\/><figcaption class=\"wp-element-caption\">Myles Russell-Cook. Photograph: Kyle Archie Knight<\/figcaption><\/figure>\n\n\n\n<p><strong>ACCA Chair Dr Terry Wu announced today that leading Australian curator Myles Russell-Cook has been appointed Artistic Director &amp; CEO of the Australian Centre for Contemporary Art (ACCA).<\/strong><\/p>\n\n\n\n<p>Currently Senior Curator of Australian and First Nations Art at the National Gallery of Victoria (NGV), Myles Russell-Cook has contributed to and curated numerous significant and internationally recognised projects for the NGV, including the <em>NGV Triennial, Melbourne Now<\/em>, and the landmark collection exhibition, <em>QUEER: Stories from the NGV Collection.<\/em><\/p>\n\n\n\n<p>Born and raised in Naarm\/Melbourne, his maternal Aboriginal ancestors come from the lands of the Wotjobaluk people, and throughout his career he has lived and worked in various communities throughout Australia. Recently Russell-Cook\u2019s curatorial work has led him to spend significant periods of time in North-East Arnhem Land, The Kimberley, and throughout the Torres Strait.<\/p>\n\n\n\n<p>A key figure in driving new developments and initiatives in First Nations art both locally and internationally, Russell-Cook reintroduced First Peoples art back to the ground floor of The Ian Potter Centre: NGV Australia with the launch of <em>Wurrdha Marra<\/em>, and is the curator behind the recently announced exhibition <em>The Stars We Do Not See: Australian Indigenous Art,<\/em> the largest ever travelling exhibition of First Peoples Art from Australia, set to open in October 2025 at the National Gallery of Art, Washington DC.<\/p>\n\n\n\n<p>\u201cWe are very excited to welcome Myles to the role,\u201d Terry said. \u201cAs a curator, he has a proven ability to transcend the boundaries of what contemporary art can do and be, and has created numerous successful exhibitions that are progressive and scholarly, whilst also accessible and inclusive. He is a leading light within the next generation of Australian arts practitioners, with boundless ambition and energy, and an expansive vision that will steer ACCA into the next period of success and growth.\u201d<\/p>\n\n\n\n<p>Myles Russell-Cook&nbsp;has been part of the curatorial team at the NGV for over eight years, most recently overseeing the NGV\u2019s collections of Australian Art, Aboriginal and Torres Strait Islander Art, and Art by Global First Nations Communities. He has worked across a broad range of exhibitions and projects, including <em>Colony: Frontier Wars<\/em> (2017), <em>DESTINY<\/em> (2020), <em>Maree Clarke: Ancestral Memories<\/em> (2021), <em>Found and Gathered: Rosalie Gascoigne and Lorraine Connelly-Northey <\/em>(2022), and the upcoming <em>REKOSPECTIVE: The Art of Reko Rennie<\/em> (2024). Internationally, he has curated several exhibitions including a series in collaboration with the Australian Embassy in Paris, the most recent of which, <em>La terre est bleue<\/em>, is scheduled to open in October 2024.<\/p>\n\n\n\n<p>\u201cI have always loved and admired ACCA, and I am so excited to take on this new position,\u201d he said. \u201cSince its inception, ACCA has been transformative for Australian art, particularly by creating opportunities for artists to make daring and ambitious new work, much of which goes on to be acquired by important state and national collections,\u201d he said.&nbsp;<\/p>\n\n\n\n<p>\u201cWhat\u2019s more, ACCA has always provided audiences with experiences that are utterly of the time, rapidly responding to new artistic developments both locally and internationally. That\u2019s perhaps what I love most about ACCA, the way it has always been ahead of the conversation. I am excited to continue to deliver and expand on this remit and lead such a vitally important institution into the future. The next decade or so in Naarm\/Melbourne is filled with opportunity, and I see ACCA as a leader in the newly developed Melbourne Arts Precinct, and beyond.\u201d he said. <\/p>\n\n\n\n<p>Myles will begin his new role in November following the departure of much-loved Director Max Delany. \u201cMax\u2019s achievements at ACCA are numerous, but one of his defining contributions is a consistent amplification of First Nations art and artists. We know that Myles will continue to do this, and more broadly, to champion local and international artists from all walks of life,\u201d Terry said.<\/p>\n\n\n\n<p><strong>For further media information, contact:&nbsp;<\/strong><\/p>\n\n\n\n<p>Katrina Hall, Publicity\/Communications: 0421 153 046<\/p>\n\n\n\n<p><strong>Australian Centre for Contemporary Art<\/strong><br>111 Sturt Street, Southbank VIC 3006<br>Melbourne, Australia<br>acca.melbourne<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ACCA Chair Dr Terry Wu announced today that leading Australian curator Myles Russell-Cook has been appointed Artistic Director &amp; CEO of the Australian Centre for Contemporary Art (ACCA). Currently Senior Curator of Australian and First Nations Art at the National Gallery of Victoria (NGV), Myles Russell-Cook has contributed to and curated numerous significant and internationally [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-37298","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/37298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=37298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":36858,"date":"2024-07-22T14:01:18","date_gmt":"2024-07-22T04:01:18","guid":{"rendered":""},"modified":"2024-09-30T11:20:35","modified_gmt":"2024-09-30T01:20:35","slug":"tennant-creek-brio-juparnta-ngattu-minjinypaiconocrisis","status":"publish","type":"press_release","link":"https:\/\/acca.melbourne\/press_release\/tennant-creek-brio-juparnta-ngattu-minjinypaiconocrisis\/","title":{"rendered":"Tennant Creek Brio: Juparnta Ngattu Minjinypa Iconocrisis"},"content":{"rendered":".<\/p>\n<!-- \/wp:post-content -->\n\n<!-- wp:paragraph -->\n<p>Encompassing contemporary artists from Northern Central Australia and Melbourne, Tennant Creek Brio includes key members Fabian Brown Japaljarri, Lindsay Nelson Jakamarra, Rupert Betheras, Joseph Williams Jungarayi, Clifford Thompson Japaljarri, ***Jimmy^^^ ***Frank^^^ ***Jupurrula^^^, Fabian","protected":false},"excerpt":{"rendered":"<p>. Encompassing contemporary artists from Northern Central Australia and Melbourne, Tennant Creek Brio includes key members Fabian Brown Japaljarri, Lindsay Nelson Jakamarra, Rupert Betheras, Joseph Williams Jungarayi, Clifford Thompson Japaljarri, ***Jimmy^^^ ***Frank^^^ ***Jupurrula^^^, Fabian<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-36858","press_release","type-press_release","status-publish","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release\/36858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/press_release"}],"about":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/types\/press_release"}],"wp:attachment":[{"href":"https:\/\/acca.melbourne\/api\/wp\/v2\/media?parent=36858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}]