Peter Land

...of the 2002 Melbourne Festival Visual Arts Program. Exhibiting Artists: Aleks Danko, Nan Goldin, Felix Gonzalez-Torres, Jenny Holzer, Barbara Kruger, Peter Land, Robert Mapplethorpe, Yoko Ono, Robert Owen, Yoshihiro Suda Curator: Juliana Engberg Publication...

Artists: John Davis, Jill Scott, Mike Parr, Sam Schoenbaum, Peter Tyndall, Jill Orr, Anne Graham, Stephen Cummins, Shelley Lasica In the Press...

Indulkana community on the APY Lands, SA. Yaltangki’s paintings are a bold and bright blending of the Pitjantjatjara Mamu (supernatural spirits) and rock and roll icons from pop culture. Yaltangki’s new commission is a further exploration of his unique visual language. Alec Baker, Peter...

Co-Curated by Peter Waples-Crowe and Tony K. Fretton ACROSS OCEANS (across lands) What...

...and rock and roll icons from pop culture. Yaltangki’s new commission is a further exploration of his unique visual language. Alec Baker, Peter Mungkuri and Mr Kunmanara Pompey are three senior artists and respected leaders from Indulkana community on the APY Lands...

Fletcher, Maria Kozic, Robert Rooney, Jane Stevenson, The Society for Other Photography, Imants Tillers, Peter Tyndall, Jenny Watson, and Tsk Tsk Tsk), provide some background and context to the ideas and practices, and the evolution of Taylor’s thinking and working. I will trace this through Taylor’s...

...the panellists: Dr Angela Hesson is a writer, curator, and art historian living on Wurundjeri land. She has worked as a curator of Australian art at the National Gallery of Victoria, lecturer in art history...

...the exhibition and the artists (Howard Arkley, David Chesworth, Ian Cox, Juan Davila, Richard Dunn, Paul Fletcher, Maria Kozic, Robert Rooney, Jane Stevenson, The Society for Other Photography, Imants Tillers, Peter Tyndall, Jenny Watson, and Tsk Tsk Tsk), provide some background and context to the ideas...

An immersive installation by emerging Melbourne artist, Alexandra Peters, incorporating large-scale prints and sculptural objects that draws on the materiality and methods of both high art and mass industry to interrogate and subvert notions of individuality and authenticity...

...spans weaving, printmaking and sculpture and is underpinned by a desire to strengthen her ties to the people and land of her grandmother’s Kuku Yalanji Country, and her father’s Kalkadoon Country, from which she was estranged in her early life. Her improvisational weaving technique is characterised...

...and assertion of cultural identity and resistance; the significance and inter-connectedness of Land, Country, People and Place; the renewal and re-inscription of cultural languages and practices; the importance of matriarchal culture and wisdom; the dynamic relations between activism and aesthetics...