Tending to 'frame’ ordinary experiences or subconscious associations to demonstrate the malleability of meaning,
Peter Tyndall’s oeuvre is characterized by the ideogram of a rectangle supported by two lines to represent either a framed projection-space suspended in a gallery or simply "something because…" along with the repeated use of the title
detail
A Person Looks at a Work of Art/
someone looks at something…
LOGOS/HA HA
This was the first survey exhibition of Tyndall’s work from the 1960s to the 1980s, and toured to Adelaide, Sydney and Brisbane.
In The Press:
9 August, Times on Sunday, A risk of art so simple as to be baffling
15 August, Weekend Australia, Loading images to mirror the truth
19 August, The Age, Making a monument to the commonplace