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Spence Messih

Exhibition

Unfinished Business: Perspectives on art and feminism

Continuing ACCA’s ongoing series of Big Picture exhibitions focussing on contemporary art’s relation to wider social, cultural and political contexts, Unfinished Business is a major exhibition conceived to animate critical, albeit under-represented, practices and debates within contemporary Australian art and society.
Surveying the diverse scope of feminist art practices – including painting, performance, photography and film to community […]

Program

Unfinished Business: Opening Saturday Relay

Claudia Nicholson, Spence Messih and Hissy Fit 3pm: Rolling series of floor talks in the galleries with exhibiting artists Ali Gumillya Baker, Shevaun Wright, Salote Tawale...
Page

Feminism(s): Plural and Evolving

Ryan Trecartin Spence Messih Jennifer Baumgardner Archie Barry Giselle...
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Monstrous Patchwork: Paul Yore’s Textile Politics by Helen Hughes

...absorbent weave, Dement cites (amongst others): Sadie Plant’s cigarette ash; the eye liner of Diamanda Galas, Lydia Lunch, and Nina Hagen; curry stains from Frances Barrett eating in bed; Spence Messih’s spit; and ‘Kathy Acker’s pubic hair soaked in the tears that mourn her’. (Yore’s vision is less...
ACCA acknowledges the Wurundjeri Woiwurrung people as sovereign custodians of the land on which we work and welcome visitors, along with the neighbouring Boonwurrung, Bunurong, and wider Kulin Nation. We acknowledge their longstanding and continuing care for Country and we recognise First Peoples art and cultural practice has been thriving here for millennia. We extend our respect to ancestors and Elders past and present, and to all First Nations people.
Glimpse into the archive—

In 1990, ACCA presented a retrospective exhibition of nearly 200 works by Tony Woods that traced his practice from the 1960’s onwards.

Tony Woods at ACCA: 1981-1990 (1990)

111 Sturt Street
Southbank VIC 3006
Melbourne, Australia

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