Giselle Stanborough
Program
Giselle Dates
Giselle Dates is a participatory intermedia work in which the artist, Giselle Stanborough, invites people to come on an ‘art date’ with her via commercial dating apps such as Tinder and through a purpose built website.
The artwork...
Program
Giselle Dates
Giselle Dates is a participatory intermedia work in which the artist, Giselle Stanborough, invites people to come on an ‘art date’ with her via commercial dating apps such as Tinder and through a purpose built website.
The artwork...
Press Release
ACCA, CARRIAGEWORKS AND MONA ANNOUNCE DETAILS OF NEW WORK BY THREE WOMEN ARTISTS, MADE POSSIBLE BY THE KATTHY CAVALIERE FELLOWSHIP
L-R Giselle Stanborough, Frances...
Press Release
ACCA, CARRIAGEWORKS AND MONA ANNOUNCE THE KATTHY CAVALIERE FELLOWSHIP RECIPIENTS
...3 x $100,000 Fellowships for female-identifying Australian artists
Artists Frances Barrett (NSW), Giselle Stanborough (NSW) and Sally Rees (TAS) are the recipients of Suspended Moment: The Katthy Cavaliere...
Program
Giselle Dates
Giselle Dates is a participatory intermedia work in which the artist invites people to come on an ‘art date’ with her via commercial dating apps such as Tinder and through a purpose built website.
The artwork repositions the gallery...
Exhibition
Unfinished Business: Perspectives on art and feminism
Continuing ACCA’s ongoing series of Big Picture exhibitions focussing on contemporary art’s relation to wider social, cultural and political contexts, Unfinished Business is a major exhibition conceived to animate critical, albeit under-represented, practices and debates within contemporary Australian art and society.
Surveying the diverse scope of feminist art practices – including painting, performance, photography and film to community […]
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Feminism(s): Plural and Evolving
...e. Archie Barry, Hypnic 2017 (detail). Courtesy the artist. Photograph: Vanessa Gordon
f. Giselle Stanborough, Giselle dates 2016-17. Courtesy the artist...
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In conversation: Frances Barrett and Annika Kristensen
AK: Thinking about performance is possibly a good way to also acknowledge Katthy Cavaliere, whose legacy and life continues in your work, as it does through the work of Giselle Stanborough and Sally Rees who were also recipients of the Fellowship. How has the work and spirit...