Howard Arkley

An installation of site-specific works by Melbourne artists Howard Arkley, Juan Davila and David Larwill. Each artist was given a room in the un-renovated Dallas Brooks Drive building and invited to paint as they desired. The project generated a great deal of public interest in the forthcoming...

An exhibition issue of the magazine Tension. Works in the exhibition were concurrently reproduced in the magazine. Curated by John Buckley and Ashley Crawford A collaboration between ACCA and Tension magazine Exhibiting artists: Howard...

...from Taylor’s private collection. Exhibiting Artists: Howard Arkley, Joseph Beuys, Juan Davila, Keith Haring, Joseph Kosuth, Maria Kozic & Philip Brophy, Sherrie Levine, Simon Linke, Robert Mapplethorpe, Robert Morris, Peter Nagy, Mike Parr, Robert Rauschenberg, David Salle, Vivienne Shark...

...to characterise the main ‘alternative’ developments in art in the period spanning the early to mid 1970’s. Guest curated by Jennifer Phipps Coordinated by Jenepher Duncan Exhibiting Artists: Micky Allan, Hilary Archer, Howard Arkley, John Armstrong, George Baldessin, Jonas Balsaitis, Vivienne Binns...

...1991        FORUM: Howard ArkleySpeakers: Howard Arkley, Carolyn Barnes, Juliana Engberg, Robert Nelson; Chair: Janine BurkeDATE: 12 November 1991...

...and the artists (Howard Arkley, David Chesworth, Ian Cox, Juan Davila, Richard Dunn, Paul Fletcher, Maria Kozic, Robert Rooney, Jane Stevenson, The Society for Other Photography, Imants Tillers, Peter Tyndall, Jenny Watson, and Tsk Tsk Tsk), provide some background and context to the ideas and practices...

...little connection to the local art scene or experimental practice. POPISM came like a bolt from the blue, hard on the heels of the first five issues of Art &Text. This lecture will discuss the exhibition and the artists (Howard Arkley, David Chesworth, Ian Cox, Juan Davila, Richard Dunn, Paul...

Juan Davila and Howard Arkley were each given a room to paint however they wished.  Press at the time called it a ‘contemporary art explosion’. Since then ACCA has launched thousands of new programs and forged ahead with a maverick spirit and a passion to promote contemporary Australian...

...editing Tension, I was making ends meet by working at ACCA. One of the first projects I was involved with was the Three Room project by Howard Arkley, David Larwill and Juan Davila. It was, presumably, a deliberately provocative act by John Buckley. Larwill was staunchly...

...the exhibition and the artists (Howard Arkley, David Chesworth, Ian Cox, Juan Davila, Richard Dunn, Paul Fletcher, Maria Kozic, Robert Rooney, Jane Stevenson, The Society for Other Photography, Imants Tillers, Peter Tyndall, Jenny Watson, and Tsk Tsk Tsk), provide some background and context to the ideas...

...nbsp; For ACCA’s first exhibition 3 Artists, 3 Rooms, David Larwill, Juan Davila and Howard Arkley were each given a room in the Domain cottage to paint however they wished.  Press at the time called it a ‘contemporary art explosion’. Since...

...but his legacy lives in the culture of our time. Paul Taylor: Memorial Tribute Exhibition30 October – 8  November 1992Artists: Howard Arkley, Joseph...

...publication Art&Text, the exhibition was a provocative and rhetorical manifesto for a new generation, with works by Howard Arkley, David Chesworth, Juan Davila and Maria Kozic to name a few. Judy Annear’s lecture will be available on May 25, and will be followed in July with Recession art...

...12 months of operation, under the guidance of independent curator John Buckley, ACCA hosted a rising international art star (Keith Haring), brought together three of Melbourne’s hottest young artistic talents (David Larwill, Juan Davila and Howard Arkley), and delivered an exhibition...