Lyndal Jones: Darwin with Tears

24 May–20 Jul 2008

ACCA Main Exhibition Gallery

Charles Darwin’s revolutionary book The Origin of the Species: by Means of Natural Selection, written in 1859, set out one of the most important hypotheses concerning the survival, development and evolution of all species of creatures. The foundation of his argument was that, by a process of selection, creatures developed the biological means to thrive and adapt to their conditions. Therefore all biology is evolving. Darwin’s ideas have inspired countless interpretations and applications. One of the most sustained investigations has been created by acclaimed Australian artist Lyndal Jones.  

Titled The Darwin Translations, Jones has created eight major projects over a decade to ‘study’ Darwin’s theory, particularly as it relates to human development.  Exploring natural selection as a process of animal attraction, instinctive behavior and gender difference, Jones’ Translations transform this 19th century text into vivid, sensual and evocative scenarios of modernity. 

As part of ACCA’s Influential Artists Series, Jones’ complete Darwin Translations were, for the first time, brought together in this major influential artist survey, which also included works from The Prediction Pieces and Tears for what was Done series.  In addition ACCA supported the creation of a new outdoor commission, Tears for what was Done, a neon and installation work outside the ACCA building which was visible from the freeway overpass and along Grant and Sturt streets 24 hours a day during the winter months. As part of the associated public program, ACCA presented a special lecture focusing on the ideas of art and Darwin’s theories by acclaimed philosopher and theorist, Elizabeth Grosz which was delivered to an over capacity audience at Storey Hall, RMIT.  

Commissioning Curator: Juliana Engberg
Coordinating Curator: Hannah Mathews

Publication
Lyndal Jones: Darwin with Tears

In the Press
23 May, The Australian, In the video of the senses
24 May, The Age, Touching emotions, touching the mind
25 May, A2, My Space, Lyndal Jones
9 July, The Age, Sex without synthesis sadly anti-climactic

Artists

Lyndal Jones